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Refraction
2010
"Refraction" explores the cinematic narrative of the photographic image in a non-electronic form, the lenticular medium, a process in which two or more images can be seen sequentially simply through the changing of the observer’s viewing
Anifilm 2023
2023
Cadence is featured in International Competition – Abstract and Non-Narrative Animation category, Liberec, Czechia (2 to 7 May 2023).
Border Control: Traversing Horizons in Media Practice
2019
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2019
Curated by Allison Collins in collaboration with Carrie Edinger and Srimoyee Mitra. Presented in partnership with the New Media Caucus. Human migration is a defining issue of the 21st century, often calling into question the relevance, role, and
Filmska trgatev
2011
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2011
Event: Filmska trgatevInstitution: Kulturni dom GrosupljeComment:
Filmteractive Festival 2013
2013
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2013
Event: Filmteractive Festival 2013Institution: Filmteractive FestivalComment:
Sommerer, Christa, Mignonneau, Laurent, "Interactive Digital Art - presenting the Escape Installation", Lecture at Filmteractive Conference, Lodz (Poland), 24.09.2013
2013
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2013
Event: Sommerer, Christa, Mignonneau, Laurent, "Interactive Digital Art - presenting the Escape Installation", Lecture at Filmteractive Conference, Lodz (Poland), 24.09.2013Institution: Filmteractive FestivalComment:
Political Strategies in Polish Popular Cinema
1993
Kluszczyński, Ryszard W.. Political Strategies in Polish Popular Cinema In Z problemów poetyki filmu, edited by Mirosława Zalska-Kaca, 131-132. Łódź: Wyd. Uniw. Łódzkiego, 1993.
Izbor literature o filmu na razstavi The Kraszna-Krausz Foundation Book Awards 2015.
2015
Lavoslava Benčić. Izbor literature o filmu na razstavi The Kraszna-Krausz Foundation Book Awards 2015. Medijska vzgoja in produkcija. [Tiskana izd.]. , no. 1 (jan./dec. 2015): 6.
Reserch in Medium Of Moving Images
2016
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2016
Event: Reserch in Medium Of Moving ImagesInstitution: Filmuniversität Babelsberg KONRAD WOLFComment:
18. STUTTGARTER FILMWINTER
2005
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2005
Event: 18. STUTTGARTER FILMWINTERInstitution: Wand 5 e. V.Comment:
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