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Why a poem in space? 2017

Marchal, Hugues. Why a poem in space? Espace(s)CNES - The Space Observatory (2017).
Why Do We Want Our Machines to Seem Alive? 1995

Penny, Simon. Why Do We Want Our Machines to Seem Alive? Scientific American, 150th anniversary issue (September 1995).
Why history of art will probably forget Maurice Benayoun's Art Work ? 2002

Event: Why history of art will probably forget Maurice Benayoun's Art Work ?Institution: Emoçao Artificial, Itau CulturalComment:
wi-fi sm 2003 - 2003

After the the guerilla-marketing campaign for WiFi-SM was launched at the Tirana Bienniale of Contemporary Art in 2003, the real product was shown for the first time at galerie Sollertis in January 2006: the WiFi-SM patch is now for real

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Wie man sieht...Kunst mit Fotografie und andere mediale EskapadenDie Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000 2000

Zielinski, Siegfried and Kerstin Bergmann, ed. Wie man sieht...Kunst mit Fotografie und andere mediale Eskapaden Die Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000....
Wiener Aktionismus und Aktionstheater in München 2015 - 2015

2 lectures (Oliver Jahraus, Thomas Dreher), 2 actions (FLATZ, Alexeij Sagerer & proT)
Wiener Festwochen 2017 2017

Event: Wiener Festwochen 2017Institution: Wiener FestwochenComment:
Wiener Wunderkammer 2015 - 2015

Event: Wiener WunderkammerInstitution: Technische Universität WienComment:
Wigglism: A Philosophoid Entity Turns Ten 2007

Fisher, Ebon. Wigglism: A Philosophoid Entity Turns Ten Leonardo 40, no. 1 (February 2007): 37-42.
Wild 1994 - 1994

Wild is an interactive virtual sculpture. The structure of the sculpture depends on the movement of objects within the local environment of the work. A video camera pointed at the viewers of the work and the local environment sends digitised...

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