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  • Missing matter -
    Architectures réactives de la communication Le virtuel c’est le réel avant qu’il ne passe à l’acte. Un non-espace non-matière. Il prend forme en s’actualisant. L’architecture du virtuel c’est à la fois l’architecture de l’information et
  • Pièces à conviction -
    1985, La dernière biennale de Paris. Personne ne le savait à l’époque. En pleine montée du post-modernisme je m’interroge sur le sens de la pratique artistique au milieu des années 80. 8 artistes contemporains seront «mis en situation», sommés de
  • Le Musée Virtuel
    Shaw, Jeffrey. Le Musée Virtuel art press spécial: Nouvelles Technologies un Art sans Modele? 12 (1991): 175.
  • Book of Shadows -
    CD-ROM with book version published by Ellipsis, London copyright 1994 exhibited at Portsmouth Arts Centre, Portsmouth, UK, 1998 Surfing, Contemporary Art Centre, Plymouth, UK 1997 European Media Art Festival, Osnabruck, Germany, 1997 On
  • CROSS AND PLANE TO SPACE
    CROSS AND PLANE TO SPACE 2017, stereoscopic 3D animation, HD video, 8:05, loop, color, stereo. For projection at the ceiling. The title refers to Kandinsky's book "Point and Line to Plane" - here to the historic antipodes illusionism and
  • Confessions -
    Confessions est l'aboutissement d'un projet engagé depuis plusieurs années par le metteur en scène d'origine australienne William Kentridge et l'auteur Jane Taylor autour du roman d'Italo Zvevo, La Conscience de Zeno. Un opéra singulier ou se mêlent
  • Digital Mudra -
    "Digital Mudra" begins with a collection of photographs from Rapoport's interactive performance entitled Biorhythm (1983). Participants, to test their own evaluation of their biorhythm condition against a computer assessment of their
  • Possibles, ISEA 22 : Liquid Views – The mirror of the media narcissus (
    2022 Recinte Modernista de Sant Pau, Barcelona: Liquid Views – The mirror of the media narcissus (1992) in Possibles, ISEA22, 9.-30.06.2022
  • Lillian F. Schwartz
    Lillian F. Schwartz is best known for her pioneering work in the use of computers for what has since become known as computer-generated art and computer-aided art analysis, including graphics, film, video, animation, special effects, Virtual Reality
  • Time Jitters
    "Time Jitters" is a two channel video that has been exhibited as a diptych as well as part of an interactive installation. Part 1 is a grid of twenty-five animations all of which loop at different rates becoming a cacophony of pulsing color and
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