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  • ISEA 1998 [The Ninth International Symposium on Electronic Arts] -
    Developments in new technologies appear to be revolutionising every aspect of our daily lives. The metaphors of 'revolution' are often applied to the speed of exponential change that the world is experiencing, in part through developments in
  • Lin Pey-Chwen
    Lin Pey-Chwen was born in Ping-tong County, Taiwan in 1959. She received a Doctor of Creative Arts from the University of Wollongong, Australia in 1996. She was chairwoman of the Graduate School of Multimedia and Animation Arts, National Taiwan
  • Das Mu-Rätsel - video
    Stage environment (after Douglas R Hofstadter: Gödel, Escher, Bach) [English title, The MU Puzzle] A media environment was integrated into the stage design of 'Mu-Rätsel', a theatrical production by Hubsi Kramar, shown in the Schauspielhaus Graz as
  • Gegen die Zeit - video
    Dynamic video installation [English title, Against Time] After the piece 'In between' (1999), 'Gegen die Zeit' is another installation for the secularized Johanneskirche in Feldkirch. The video projection depicts a female arm holding either a brush
  • Laufende Projekte -
    Video installation [English title, Ongoing Projects] "The projection of a sequence of images onto a ball and, as a consequence, the wall behind it, results in the juxtaposition of two projection surfaces. Whereas the ball displays a focused but
  • Jan-peter e.r. Sonntag
    Jan-Peter E.R. Sonntag & N-solab 1965 in Lübeck, Deutschland Club Transmediale 2008 sonArc::project, Kulturverlag Kadmos, Berlin, ISBN (13)978-3-931659-97 Auszeichnungen (Auswahl) [Bearbeiten] 2008 CYNETart-Award 08 2008 Deutscher
  • Plüschlove - video
    Videotape [English title, Plush love] Love scenes from two movie classics are rasterized, overdrawn, overstretched and squeezed, slowed down and accelerated by the computer. 'Plüschlove' is a montage of real, digitized (i.e. computer-generated) and
  • GLOBALE: Without Firm Ground – Vilém Flusser and the Arts -
    “Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
  • The Art of the Thinking Space: A Space Filled with Data.Vol. 31, No. 3: Shifting Boundaries: Practices and Theories, Arts and Technologies,
    Fleischmann, Monika and Wolfgang Strauss. The Art of the Thinking Space: A Space Filled with Data. Vol. 31, No. 3: Shifting Boundaries: Practices and Theories, Arts and Technologies, In Digital Creativity: Shifting Boundaries: Practices and
  • Projektskizze #11, #12, #13, #14, #15 -
    Plot [English title, Project outline #11 to #15] Series 'Body Scanned Architecture' The work series 'Projektskizzen' was developed in 2001, based on the interactive computer environment 'Body Scanned Architecture', which was realized in the Austrian
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