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  • Stimmen aus dem Innenraum
    Weibel, Peter and Valie Export. Stimmen aus dem Innenraum In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 135-148. Linz: Gutenberg-Werbering, 1988.
  • The Emerging Technology of Cyberspace / Die heranwachsende Technologie des Cyberspace
    Walser, Randal. The Emerging Technology of Cyberspace / Die heranwachsende Technologie des Cyberspace In Ars Electronica 1990 - Digitale Träume Virtuelle Welten, edited by Gottfried Hattinger and Morgan Russel Russel and Christine Schöpf and
  • Virtuelle Welten: Des Kaisers neue Körper
    Weibel, Peter. Virtuelle Welten: Des Kaisers neue Körper In Ars Electronica 1990: Digitale Träume - Virtuelle Welten, edited by Georg Hattinger and Peter WeibelVol.2. , 9-38. Linz: Veritas-Verlag, 1990.
  • Reihe Video Kunst
    Hattinger, Gottfried, ed. Reihe Video Kunst. http://www.hattinger.org/seiten/rvk.html, 2004 th ed.Linz, Austria: Landesgalerie Linz, 2004.
  • Gesänge des Pluriversums
    Weibel, Peter. Gesänge des Pluriversums In Ars Electronica 1986 (Band 2), edited by Gottfried HattingerVol.2. , 73-80. : Linzer Veranstaltungsgesellschaft mbH, 1986.
  • Serial Parallels
    This experimental animation approaches Hong Kong’s built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. The city’s signature architecture of horizon-eclipsing
  • Divisional Articulations
    Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, and spawn arrays of
  • Shift
    Using the New Age idea of a 'dimensional shift' as inspiration, Shift combines science fiction themes through abstract, stop motion animation of objects and colour.
  • X
    The unknown X becomes a whole symphony of shapes... In a universe where everything is by itself yet can intersect with each other, cross-action seems the best way to solve an unknown equation.
  • Sync
    A circular looping animation projection installation. "(...) the film is based on the idea that there is an underlying unchanging synchronisation at the centre of everything; a sync that was decided at the very beginning of time. Everything follows
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