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  • Borges, Science Fiction, Hyperfiction: three means to Post-Human ?Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano?
    Moes, Fabiana. Borges, Science Fiction, Hyperfiction: three means to Post-Human ? Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? academia.edu (2007).
  • Animal Infected
    Infections of a mental kind and the examination of the animalistic are the topics of the Zurich media art group ‹knowbotic research› in their most recent project ANIMAL INFECTED. The infection takes place subtly, for instance with an expres sion
  • Camouflage (Print) -
    Print on aluminium composite panel The temporary intervention 'Camouflage' was realised in 2012 on the Bielerhöhe in Tyrol. A row of flagpoles along a bus parking lot, which usually bear the multi-coloured national flags of EU states, now welcomed
  • Masahiko Inami
    Masahiko Inami is a professor in the School of Media Design at the Keio University (KMD), Japan. His research interest is in human I/O enhancement technologies including bioengineering, HCI and robotics. He received BE and MS degrees in
  • Swarming Lounge
    Event: Swarming LoungeInstitution: Robot Love exhibition, Campina Milk FactoryComment:
  • Bullet Proof Tent
    National Institute of Justice Level 1: protective camping-gear.
  • Metal Performance: Humanizing Robots, Returning to Nature, and Camping About
    Dixon, Steve. Metal Performance: Humanizing Robots, Returning to Nature, and Camping About TDR 48, no. 4 (Winter 2004).
  • Camouflage -
    Intervention For the temporary intervention 'Camouflage' the ten national flags attached to flagpoles at the bus parking lot on the Bieler Höhe were exchanged for monochrome quartz green banners. Not until they were approached did they appear to
  • Claudia Robles-Angel
    Claudia Robles-Angel is an interdisciplinary artist born in Bogotá-Colombia, currently living in Cologne-Germany and active worldwide. Her work and research cover different aspects of visual and sound art, which extend from audiovisual
  • Worldmaking as Techné: Participatory Art, Music, and Architecture
    Hosale, Mark-David and Sana Murrani and Alberto de Campo, ed. Worldmaking as Techné: Participatory Art, Music, and Architecture. Toronto: Riverside Architectural Press, 2018.
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