Archive Search

  • Developments in new technologies appear to be revolutionising every aspect of our daily lives. The metaphors of 'revolution' are often applied to the speed of exponential change that the world is experiencing, in part through developments in
  • Lin Pey-Chwen was born in Ping-tong County, Taiwan in 1959. She received a Doctor of Creative Arts from the University of Wollongong, Australia in 1996. She was chairwoman of the Graduate School of Multimedia and Animation Arts, National Taiwan
  • Landstream -
    Landstream visualizes the flux produced by communication technologies, the invisible signals which cross through us, and of which we are, most of the time, completely unaware. A programme analyses the flux running through a space, and transforms the
  • Jan-Peter E.R. Sonntag & N-solab 1965 in Lübeck, Deutschland Club Transmediale 2008 sonArc::project, Kulturverlag Kadmos, Berlin, ISBN (13)978-3-931659-97 Auszeichnungen (Auswahl) [Bearbeiten] 2008 CYNETart-Award 08 2008 Deutscher
  • Paradise -
    "Olga Kisseleva’s project for the Musée Chagall, is formulated as an echo to the works displayed in the exhibition space but opens the proposition as it expands its reach. She takes illustrations from sacred books as does Chagall, but her intention
  • E-volve Wolf Lieser opened a new gallery [DAM]Cologne on the 24th April 2010. boredomresearch are exhibiting their computational systems Lost Calls of Cloud Mountain Whirligigs in the first exhibition ‘E-volve’ at the gallery. Lost Calls of Cloud
  • “Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
  • Fleischmann, Monika and Wolfgang Strauss. The Art of the Thinking Space: A Space Filled with Data. Vol. 31, No. 3: Shifting Boundaries: Practices and Theories, Arts and Technologies, In Digital Creativity: Shifting Boundaries: Practices and
  • Over a few days in February 2014, a revolution took place in Kyiv, Ukraine. How was this exceptional event reflected on Instagram? What can visual social media tell us about the experiences of people during social upheavals? If we look at images of
  • Video installation [English title, 'co-distortion'] In the installation 'Co-Verzerrung', the classical game of anamorphosis is transmuted into its own readable universe by means of electronic media. The video projection on the floor shows a