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  • Observed, Observing, Observer
    "A culture is dead when its myths have been exposed. Television is exposing the myths of the republic. Television reveals the observed, the observer, the process of observing". — Gene Youngblood Initially, a single image of Nam June Paik,
  • Rewa Wright
    I am fascinated by human/techno/plant relations in dynamic systems and networked assemblages. Working with new technology against the grain, my research takes a positive yet critical approach, framed by new materialism and posthumanism. I have
  • Biocybrid Ouroborus: geographisms of the extase -
    Workshop and exhibition, results from the collaborative practice of a group of scientists and artists who were involved in all stages from the preparatory stages, in Brazil, to the event in Havana. LART, in the Art and Science circuit by proposing
  • Digital Mobility / Mobile Thinking
    Jamieson, Helen Varley. Digital Mobility / Mobile Thinking In Mobility in Culture: Conceptual Frameworks and Approaches, edited by Dea Vidović and Nancy DuxburyVol.1. , 108-127. : i-Portunus Houses, 2022.
  • From Sites of Memory to Cybersights: (Re)Framing Japanese American Experiences
    Gessner, Ingrid. From Sites of Memory to Cybersights: (Re)Framing Japanese American Experiences. Heidelberg: Winter, 2007.
  • Portrait on the Fly - Digital Prints -
    Portrait on the Fly - Digital Prints Portrait Series © 2015, Laurent MIGNONNEAU & Christa Sommerer A single photography of a real fly is used as printed dots to represent the portrait of media artists, writers and curators we encountered physically
  • Framing memory: return to the zone
    Parker, Kayla and Stuart Moore. Framing memory: return to the zone AVANCA | CINEMA 2018 (July 2018): 103-108.
  • Anamorph-Lattice
    Anamorph-Lattice, 6 black-white family snapshots repeated 30 times are organized by the Voronoi mathematical model so that the images disrupt the frontal perspective viewing, creating altered perspectives reminiscent of 16th and 17th century
  • Kayla Parker
    Artist film-maker whose current work centres on watery places such as rivers, estuaries and coastal zones. She uses a process-based dialogic methodology informed by écriture féminine to explore the interrelationship between bodies and forgotten,
  • transmediale.10: futurity now!
    Much of 20th century society strove to depict 2010 as a shining example of a future framed by technological progress and social harmony. But as 2010 arrived it was clear that global society was neither the utopia nor the dystopia traditionally
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