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/rosa (Zentrum für Netzkunst, Panke Gallery)
Featured Artwork "I’m sorry I made you feel that way" by Martina Menegon (2023) 06/2024

I'm sorry I made you feel that way (2023) by Martina Menegon is an interactive experience and performative self-portrait exploring new possibilities for empathy and care for our hybrid selves.
Digitale Körperbilder oder Inter-Faces als Schlüssel zur Imagination 1995

...Fleischmann, Monika and Wolfgang Strauss. Digitale Körperbilder oder Inter-Faces als Schlüssel zur Imagination Kunstforum 132, no. Die Zukunft des Körpers I (Nov - Jan 1995): 136-141.
Die künftige Verschmelzung von Wissenschaft, Kunst und Psychologie 1990

...Minsky, Marvin. Die künftige Verschmelzung von Wissenschaft, Kunst und Psychologie In Ars Electronica 1990: Digitale Träume, Virtuelle Welten, edited by Gottfried Hattinger and Peter WeibelVol.2. Linz: Veritas-Verlag, 1990.
LAB 1: ART+COM - Virtual Reality and The Divine Spark 1987 - 1987

... goal to explore the computer as a tool and medium for communication. But in West Berlin, there was already a nucleus of digital media. Edouard Bannwart, a professor of urban studies, was leading a research project on data communication between the art...
Die digitale Bildrevolution 1985

...Weibel, Peter. Die digitale Bildrevolution In Leuchtspuren. Holographie, Licht und Computer. Kampnagelfabrik, Halle O, Hamburg vom 23.3. bis 5.5.1985, edited by Gabriele Juschka-KaiserHamburg, DE: Rheinland-Verlag, 1985.
Differenza ed estetica digitale: il glitch 2016

...Aprile Francesco. Differenza ed estetica digitale: il glitch. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.
Audible Collage 2005 - 2005

... the book and also provide a book review of the print edition of "Digital Transformations" in German. Die Textcollage Textmix Digitale Transformationen? wurde am zweiten Dezember 2004 auf der Release-Veranstaltung im Skygarden des Sony Center Berlin zum Buch...
ACM SIGGRAPH Digital Arts Community Online Exhibition
The Future of Reality 2024 - 2024

In The Future of Reality, we ourselves become avatars and intelligent agents within these hybrid media systems, looking back at ourselves and our histories, gazing into uncertain mirrors, and looking ahead to increasingly seamless, incursive,

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