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To face the challenges of the world, increasingly technologically dependent, we propose ontological levels of creative technologies in Art and TechnoScience, blurring the limits of the life and the engineered reality
2020
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2020
Fifth International Online Congress on Education and New Media - 2020 - Heritage of the New Media
Joanne Mills
As a researcher, I am particularly interested in the role of the expanded narrative (as incorporating an active created or controlled space, cross-disciplinary collaboration and/or multi-sensory engagement, and an active audience encouraged to
Metabodies
2013
This project investigates the unexpected diversity to be found on the human ecosystem and its 'social network'; this, by focusing on the language of billions of bacteria, which populate it. Sonja Bäumel tested two subjects each of them left hand
Zentrum für Bildwissenschaften
Knowledge Spaces: Cultural Education in the Media Age
2004
Strauss, Wolfgang and Monika Fleischmann and . Knowledge Spaces: Cultural Education in the Media Age In E-Education Applications: Human Factors and Innovative Approaches., edited by Claude Ghaoui, 291 – 307. : Hershey: Idea Group Publishing,,
Animal Locomotion
1996
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2000
In Animal Locomotion (1996-2000), which began with drawings made from Muybridge's photographs of figures in motion, the viewer interactively changes the configuration of the site through interactive image manipulation. The server keeps track of the
Heliotrope
1998
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1999
Heliotrope is an artwork made using computer manipulated images and animations in which the user interacts to control the sequence of events. Like many interactive artworks the piece requires input from the user. However, unlike a computer game, the
Data Murmur
2013
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2013
video
The notable Italian political philosopher Franco "Bifo" Berardi recites a random poem of HTML code twice. First on the left of the split screen the camera maintains its distance allowing the bard to enact the poem, his shock of silver hair melting
eCulture Factory
2005
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2008
video
ECULTURE FACTORY 2005 A temporary Laboratory for Digital Culture and Interactive Media directed by Monika Fleischmann and Wolfgang Strauss, was funded by the EU, the Bremen Senate and Fraunhofer IAIS (May 2005 – May 2008). The objective was to
PointScreen
2001
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2002
video
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so that more such...
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