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SCHWELLE II
2007
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2008
... also gauge sud
den
changes of speed or...
NOMAD: THE RIVER
2005
Nomad: The River is a 60 minute dance theater work created in collaboration with Chinese born, New York-based choreographer Yin Mei. The work is a haunting evocation of the choreographer's experience growing up in the political hysteria of the
Sauna01-02
2000
-
2007
video
Sauna_01 #1, realized at the San Francisco Electronic Music Festival 2000, consists of a 10 x 14' enclosed room within which is positioned a 4 x 8' tank-a half cylinder resembling what Sponge termed a "cargo cult MRI chamber." The Sauna tube is
M2
1998
video
Overall, the event is cyclical; however, the groups spend variable amounts of time going through the chambers. The immersion room is the only area of the environment where visitors are allotted a fixed time. Also, each group of spectators contains
Entangled: Technology and the Transformation of Performance
2010
Salter, Chris. Entangled: Technology and the Transformation of Performance. Cambridge, MASS: The MIT Press, 2010.
The Poetics of Sonic Interaction Design
2013
Salter, Chris and Karmen Franinovic. The Poetics of Sonic Interaction Design In Sonic Interaction Design: Process and Products, edited by Karmen Franinovic and Stefania SerafinCambrigde, MA: The MIT Press, 2013.
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
2008
Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.
Dramaturgies of Sound: Interactive Sound Design in Live Performance
2008
Chris Salter. Dramaturgies of Sound: Interactive Sound Design in Live Performance In Proceedings for the 1st International Workshop in Sonic Interaction Design, Florence, Italy: 2008.
Reflections on the 8th International Biennale of Champ Libre
2009
Chris Salter. Reflections on the 8th International Biennale of Champ Libre Etc: Revue de L’Art Actuel (March 2009).
SCHWELLE: Schwarz Raum
2003
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2004
Four participants enter into a small, closed off, pitch black dark room. The room houses a large architectural construction: 4, 1 x 6 meter long tunnels outfitted with a series of taught, fabric muslin screens. The rear screen is solid while the
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