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Kim Asendorf
Kim Asendorf is a conceptual artist and works in a large area of media and digital related art. He loves to transport things from the Internet into real life and back. Kim did several net art projects, often based on data taken from the Internet or...
Esteban Garcia Bravo
Inspired both by constructivist avant-gardes and cognitive psychology, Garcia uses shape to test the senses and push the boundaries of visual assumptions. His work looks past the idea of shape as a function and instead explores its endless...
Carolina Montejo
During the initial years of the development of my work, especially in series such as Parallel, Monochromatic, Conscious/ Unconscious and Technical Recreation I emphasized questions and scenarios based on memory, the relation between conscious and...
Chris O'Shea
Chris O’Shea is an artist and experience designer. He creates installations that playfully challenge our perception of spaces and objects. He has been commissioned by BBC Big Screen, Design Museum and Science Gallery, Dublin, and has collaborated...
Julian Stadon
I am an Australian Artist and Transdisciplinary Integration Expert Working Across Academia, Cultural and Private Sectors. Focussed on Augmentation Aesthetics, Bio-Digital Entanglement & Interactivity, Food Futures & Sustainability. I currently...
Vidéo, la mémoire au poing
1981
Duguet, Anne-Marie. Vidéo, la mémoire au poing. Paris: Hachette litterature generale, 1981.
Artificial Intelligence
1981
Legrady, George. Artificial Intelligence Parachute (1981).
Biotechnologie und Kunst
1981
Weibel, Peter. Biotechnologie und Kunst In Technik und Gesellschaft: Symposium der Technischen Universita?t Wien, 24.-30. 8. 1980, Lech am Arlberg, edited by Manfred Schmutzer and Technische Universita?t Wien and Interdisziplina?res...
Viewpoint Dependent Imaging: An interactive stereoscopic display
1981
Viewpoint Dependent Imaging: An interactive stereoscopic displayAuthor: Fisher, Scott S.
A History of the Bossa Nova
1981
Penny, Simon. A History of the Bossa Nova. Sydney, AUS: Institute for Oblique Studies, 1981.
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