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  • More Than Us -
    Exploring climate prediction as a game of chance and of skill, More Than Us offers us a glimpse of the astronomically huge dataspace we exist in. Two communities of colourful geometric shapes drawn, or ‘recycled’, from Suprematist paintings of the
  • This multipart work uses real-time data gathered from a colony of naked mole-rats, allowing a peek into their lives. The project reflects Julie Freeman’s fascination with their cooperative lifestyle and how it differs from human social organization.
  • The installation "Another Day in Paradise" was composed of three preserved trees: surveillance, video and touchscreen trees. The equipment not contained in the trees themselves was hidden from view in fiberglass rocks. The monitors were embedded in
  • Froze
    Even though Windows NT supposed to be a very stable OS, my PC freezes at least twice a day. When your computer freezes, it can be annoying if you loose some work - or it can be liberating, a chance to stop whatever you were doing and to think
  • Traumliege -
    Video sculpture [English title, Dream bed] INSTANT body, INSTANT coitus, INSTANT dreams The fast-paced images are freeze-dried, the fast-paced dreams static, the people coded, the codes interchangeable. Porn is the dream of de-sensualized sexuality,
  • Digital Wave -
    How might we connect with ‘intangible’ digital technologies in ways we understand and can touch? Digital Wave is a large-scale interactive digital installation examining spatial movement and energy flow in a hands-on, interactive artwork measuring 3
  • Ototoxicity -
    Through the construction of a short story and the composition of a soundscape, this project and accompanying paper explores whether the dynamic ebb and flow of a story can be conveyed through abstract sound. The work is inspired by a text by
  • Ginzburg, Carlo. Repräsentation - das Wort, die Vorstellung, der Gegenstand Freibeuter 53 (1992): 2-23.
  • Weibel, Peter. Der freie Klang zwischen Schweigen, Geräusch und Musik In Ars Electronica 1987, edited by Gottfried Hattinger and Peter Weibel, 8-17. Linz: Druck- und Verlagsanstalt Gutenberg, 1987.
  • Box Man
    Weibel, Peter and David Felder and Henry Jesionka. Box Man In Ars Electronica 1987: Der Freie Klang, edited by Karl Gerbel, 158-161. Linz: Druck- und Verlagsanstalt, 1987.