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Jun Takita
... Life and death are
sim
ultaneously presented and... Life and death are
sim
ultaneously presented and...
Making of Eve Clone Documentation II
2017
-
2017
The origin of Documentation of Making of Eve Clone II series is from the animation Making of Eve Clone I. I select three parts of the grid body of Eve Clone such as golden-head with silver-chest, silver-chest with coppery abdomen, iron leg with half
Sally Sheinman
I have always been deeply interested in the viewer, pondering why some people engage with art while others do not. This curiosity led me to start asking questions directed at the audience. For one project, I asked, "What did you do today?" In this
White Cube, l’essence de l’art contemporain Alpha 10-20, Emotion Winds and Falling Pixels, The Age of Experience
2016
Event: White Cube, l’essence de l’art contemporain Alpha 10-20, Emotion Winds and Falling Pixels, The Age of ExperienceInstitution: Universität für Angewandte Kunst WienComment:
Mark-David Hosale
... as artworks that are
sim
ultaneously ontological... as artworks that are
sim
ultaneously ontological...
WHITE CUBE Alpha, L’essence de I’art contemporain
2015
Event: WHITE CUBE Alpha, L’essence de I’art contemporainInstitution: Run Run Shaw Creative Media CentreComment:
s t i l l a l i v e
2022
video
The video work stillalive is a commission for the Kunsthaus Graz and the exhibition ‘Faking the Real’. The concept was to produce an artistic edit of a specific three-minute excerpt from John Carpenter’s film ‘They Live’. This approach corresponds
The Essence 2009
2009
-
2009
Event: The Essence 2009Institution: Universität für Angewandte Kunst WienComment:
Points of View II - Babel
1983
Points of View II - Babel addressed issues relating to the Falklands War. It was made using the same functional and iconographic structures as Points of View I, but with a differing content.In BABEL hieroglyphs were used to articulate a
Between the words
1995
-
1995
This installation constitutes a specific modality of remote communication between two persons where facial expression and hand gestures are its essential agencies. Two people face each other through an opening in a wall where an optical system
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