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The Brain in Art and Science / Das Gehirn in Kunst @ Wissenschaft
2022
-
2022
Victor Acevedo’s 1990 digital image called “Tell Me the Truth” is included in this exhibition.
Victor Acevedo: Vi
sua
l Music : Video Survey 2010-2020
2020
-
2020
Acevedo presented a 10-year retrospective survey of his Electronic Vi
sua
l Music work
s a
nd one pre-recorded AV performance. On opening night he performed two LIVE mix video AV set
s a
long with Modular Synth musician called Jame
s A
llen (J3m5).
"The Real, the Virtual and the We, (re-activating Lygia Clark's The I and the You: Clothing/Body/Clothing, 1967"
2016
"The Real, the Virtual and the We, (re-activating Lygia Clark's The I and the You: Clothing/Body/Clothing, 1967"Artist: Gabriela Aceves SepúlvedaComment:
Gabriela Aceves Sepúlveda
Dr. Gabriela Aceves Sepúlveda i
s a
n interdisciplinary media artist and cultural historian with a re
sea
rch focus in Latin American media art history. She i
s A
ssociate Professor in the School of Interactive Art
s a
nd Technology at Simon Fraser
Re]Activating Mamá Pina's Cookbook
2017
Aceves Sepulveda, Gabriela. Re]Activating Mamá Pina's Cookbook Feminist Media Histories 3, no. 3 (2017): 159-166.
Re]Activating Mamá Pina's Cookbook
2017
Aceves Sepulveda, Gabriela. Re]Activating Mamá Pina's Cookbook Feminist Media Histories 3, no. 3 (2017): 159-166.
Re]Activating Mamá Pina's Cookbook
2017
Aceves Sepulveda, Gabriela. Re]Activating Mamá Pina's Cookbook Feminist Media Histories 3, no. 3 (2017): 159-166.
Re]Activating Mamá Pina's Cookbook
2017
Aceves Sepulveda, Gabriela. Re]Activating Mamá Pina's Cookbook Feminist Media Histories 3, no. 3 (2017): 159-166.
Mari Velonaki
Mari Velonaki has worked a
s a
n artist and re
sea
rcher in the field of interactive in
sta
llation art since 1995. Velonaki has created interactive in
sta
llations that incorporate movement, speech, touch, breath, electro
sta
tic charge, artificial vision
rePLACEd in EVE
1998
The projection environment of PLACE consists of a cylindrical projection screen and a rotating platform in the center that carrie
s a
wide-angle three-projector system fed by an SGI-Onyx computer. The distortion caused by the projection onto the
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