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Digital Wave
1998
-
1998
How might we connect with ‘intangible’ digital technologies in ways we understand and can touch? Digital Wave is a large-scale interactive digital installation examining spatial movement and energy flow in a hands-on, interactive artwork measuring 3
Cell Tango
2009
video
Merging art with technology, conceptual artists George Legrady and Angus Forbes have transformed ubiquitous and often annoying cell phones into paint brushes for the 21st century. Their new multimedia video installation "Cell Tango" at Wellesley
Their Things Spoken
1998
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2001
Their Things Spoken is the third part of a trilogy which deals with different aspects of memory and visual archetypes in our culture, the first two being Memory Theater (1997) and Things Spoken (1999). Their Things Spoken refers to the gulf
Time Capsule
1997
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1997
"Time Capsule" is a work-experience that lies somewhere between a local event-installation, a site-specific work in which the site itself is both my body and a remote database, a simulcast on TV and the Web, and interactive webscanning of my body.
The Medusa Project
... in seances and tele
path
y was sparked as I was exposed...
Residues
1992
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1992
video
"Residues" is a multimedia installation which mixes materials and supports as large photographies, pigments, water, oil reflexion, electronic screens which are present in the same space with the electronic images. The screens show post-production
Mestizo Technology: Art, Design, and Technoscience in Latin America
2016
Badani, Pat and Paula Gaetano Adi and Gustavo Crembil and Tania Aedo and Diana Domingues and Eduardo Castillo and Pedro & Prado de O. Martins Vieira de Oliveira and José-Carlos Mariátegui and Heber Rodriguez and Luis Fernan Median Cardona, ed.
FACTORS 1.0 - Festival de Arte-Ciência-Tecnologia do Rio Grande do Sul
2014
O festival compõe o Simpósio de Arte Contemporânea que acontece desde 2006 na UFSM, realizado pelo Labart e promovido pelo PPGART/UFSM, sob coordenação da Profª. Drª. Nara Cristina Santos. Na esteira do 9º Simpósio de Arte Contemporânea, o FACTORS
Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz
2006
Grau, Oliver. Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz In Das bewegte Bild: Film und Kunst, edited by Thomas Hensel and Klaus Krüger and Tanja Michalsky, 419 - 448. München:
Fire
1990
video
The video performance had been presented in Salerno, Italy, during the ARTMEDIA Congress (1992). The space of Paula Verengia's Gallery had been drawned with slides and video projections on the back of the room. An Italian Dancing Company named
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