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  • ... New York. The subject of Hahn’s work is the everyday. Always a video camera at hand, he collects day-to-day records, often randomly. He then processes these recordings on a computer, creating art that seamlessly intertwines the personal and the universal....
  • On translation -
    ... transcription from one sign system to the other, however, from one language to another is interrupted by means of a built in randomness. Randomness, the free will and interpretation are part of the process of translation and by this directly coupled to the...
  • More Than Us -
    ... 1900s, congregate, ebb and flow in response to historical and predictive climate catastrophe data sets. Both communities move randomly to find interesting places in data ‘landscapes’. Engaged in a game of chance, some navigate raw, unstructured data. Others...
  • ... assemble the material according to a narrow set of self-imposed rules which often incorporate complex algorithms, controlled randomness and other methods inspired by computer code. My work is informed by a combination of conceptual-structural thinking and...
  • ... it suspends the viewer in a media environment which stimulates a sense of contemporaneity and currency. It utilizes randomness, multiple choice, timed choice, and other interactive techniques to create experiences which are unique for every viewer....
  • ... to create immense and seemingly unbounded acoustical spaces. CHAOS [Sonata 1.0] is Driven by the primary principles of randomness and improvisation, the objective deconstruction of Al Tawil’s native art elements – sound, visuals, and even source codes...
  • ... digitized images. This approach consists of rule-based processes that integrate frequency modulations, adaptive algorithms, randomness and noise. When I first began to work with these algorithms in the mid 1980’s it became quickly apparent that I could...
  • superposition -
    ... on stage will be in a state of superposition; sound, visuals, physical phenomena, mathematical concepts, human behaviour and randomness - these will be constantly orchestrated and de-orchestrated simultaneously in a single performance piece.
  • ... There are certainconditions which change over time, but most of the elements are scripted with a certainparameter of randomness. In that sense for example, many of our projects work withthresholds, with input over time. But they are not living...
  • kondition pluriel is an interdisciplinary digital performance group based in Montreal and Vienna, formed by Marie-Claude Poulin and Martin Kusch. Since its beginnings in 2000, the collective has focused on exploring the performative possibilities of