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  • ... 1900s, congregate, ebb and flow in response to historical and predictive climate catastrophe data sets. Both communities move randomly to find interesting places in data ‘landscapes’. Engaged in a game of chance, some navigate raw, unstructured data. Others...
  • SensingSpeakingSpace -
    ... surround-sound based on their locations in the gallery. The visualization consists of the play between the noise, randomness and order, through multiple layerings and subtle changes that build up over time and in response to spectators movements....
  • ... New York. The subject of Hahn’s work is the everyday. Always a video camera at hand, he collects day-to-day records, often randomly. He then processes these recordings on a computer, creating art that seamlessly intertwines the personal and the universal....
  • On translation -
    ... transcription from one sign system to the other, however, from one language to another is interrupted by means of a built in randomness. Randomness, the free will and interpretation are part of the process of translation and by this directly coupled to the...
  • More Than Us -
    ... 1900s, congregate, ebb and flow in response to historical and predictive climate catastrophe data sets. Both communities move randomly to find interesting places in data ‘landscapes’. Engaged in a game of chance, some navigate raw, unstructured data. Others...
  • ... assemble the material according to a narrow set of self-imposed rules which often incorporate complex algorithms, controlled randomness and other methods inspired by computer code. My work is informed by a combination of conceptual-structural thinking and...
  • ... it suspends the viewer in a media environment which stimulates a sense of contemporaneity and currency. It utilizes randomness, multiple choice, timed choice, and other interactive techniques to create experiences which are unique for every viewer....
  • ... to create immense and seemingly unbounded acoustical spaces. CHAOS [Sonata 1.0] is Driven by the primary principles of randomness and improvisation, the objective deconstruction of Al Tawil’s native art elements – sound, visuals, and even source codes...
  • ... digitized images. This approach consists of rule-based processes that integrate frequency modulations, adaptive algorithms, randomness and noise. When I first began to work with these algorithms in the mid 1980’s it became quickly apparent that I could...
  • superposition -
    ... on stage will be in a state of superposition; sound, visuals, physical phenomena, mathematical concepts, human behaviour and randomness - these will be constantly orchestrated and de-orchestrated simultaneously in a single performance piece.