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  • Rhizome_Raw: Database of Virtual Art, Humboldt University of Berlin
    Grau, Oliver. Rhizome_Raw: Database of Virtual Art, Humboldt University of Berlin Leonardo 8, no. 3 (March 2000): 5-6.
  • William Kentridge
    South African draughtsman, film maker and sculptor William Kentridge studied at the Johannesburg Art Foundation and the Ecole Jacques Lecoq in Paris. In 1998, a major retrospective exhibition opened at the Palais des Beaux-Arts, Brussels. A second
  • Sachiko Kodama
    The Japanese female artist Sachiko Kodama was born in 1970. As a child she spent a lot of time in the southernmost part of Japan. This area is rich in tropical flowers and plants, edged by the sea, and washed with warm rain. Sachiko loved art and
  • Mandl/ Krautgasser
    Annja Krautgasser is a media artist and architect who has been teaching on architecture, media, and the public at the Academy of Arts in Linz, and is an assistant at the Technical University in Graz, Austria. Rainer Mandl, born 1968, is a web and
  • Microsoft Access 2000. Das Handbuch
    Albrecht, Ralf and Natascha Nicol. Microsoft Access 2000. Das Handbuch. Unterschleißheim: Microsoft, 1999.
  • Die neuen Bilder. Peter Weibel und Hubert Burda im Gespräch
    Weibel, Peter. Die neuen Bilder. Peter Weibel und Hubert Burda im Gespräch In Hubert Burda. Kunst und Medien, edited by Judith Betzler, 188-191. München, DE: Econ Verlag, 2000.
  • The Coming and Going of Images
    Arnheim, Rudolf. The Coming and Going of Images Leonardo 33, no. 3 (2000): 167-168.
  • kondition pluriel
    kondition pluriel is an interdisciplinary digital performance group founded by choreographer Marie-Claude Poulin and media artist Martin Kusch in 2000. Integrating body-based performance and digital arts, the artists generate a language outside of
  • Martin Kusch
    Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter
  • Gene Culture: Molecular Metaphor in Visual Art
    Anker, Suzanne. Gene Culture: Molecular Metaphor in Visual Art Leonardo 33 , no. 5 (2000): 371-375.
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