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  • Janet Cardiff
    ... art, has had participants from Canada since 1952. Cardiff and Bures Miller's success at such an event has given them a level of exposure and recognition unprecedented by any other contemporary Canadian artist. The couple has spent the past few years...
  • I N S N ( H ) A K (R) E S - video
    ... perception, because it proposes other limits for the body through actions in remote space. Living among snakes is put at the level of dream and imagination. The artist always acts in the boundaries of dreams and deliriums, among joys, desires, beliefs, fears...
  • Loophole for All - video
    ... Have you always been interested in legal illegal dealings on an ideological level or within the realm of art? ---------------------------------------------------------------------------- Yes, I've always been...
  • Tunnels Around the World video
    ... school of Creative Media, City University of Hong Kong, and numerous other sites around the world. Low Tech, high level Tunnels When the original projects were using, for each end of the Tunnel, tens of highly powerful and expensive pieces of...
  • mimesia -
    ... Aided Design as a means of visualising products. These models are imported into the games engine, a sophisticated high level operating system that provides the artist programmer with a range of effects to create landscapes, sound, lighting, texturing,...
  • Day of the Figurines -
    ... console games (...)' (Lindley, 2005: 1) By creating complex and hybrid interfaces, pervasive games operate at the level of mixed reality, both augmenting and contaminating the real with the virtual, life with game, form with chaos. ...
  • Trans-E: My Body, My Blood video
    ... three different stages of the shamanic trance. Theoretical approaches inform that the shaman can experience three levels during the trance. In the first stage only lighted sensations and mutations occur in a neurophysiological way: brilliances,...
  • Digital Body-Automata -
    ... research and lots of team work, but more importantly they show that without a transformation of our desires on a very basic level, my art will continue to question the applications and implications of technological "progress".
  • CODeDOC exhibition
    ... was used to create or manipulate it. It is precisely this layer of 'code' and instructions that constitutes a conceptual level which connects to previous artistic work such as Dada's experiments with formal variations and the conceptual pieces by...
  • Desert rain -
    ... between ideology and aesthetics, real and virtual, performance and life, was once again also perceivable at an ontological level. (source: http://presence.stanford.edu:3455/Collaboratory/348)
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