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  • McGarrigle, Conor. Forget the flâneur In Proceedings of the 19th International Symposium on Electronic Art, edited by K. Cleland and L. Fisher and R. HarleySydney: ISEA2013, 2013.
  • Ken Rinaldo is internationally recognized for interactive art installations developing hybrid ecologies with animals, algorithms, plants, and bacterial cultures. His art/science practice serves as a platform for hacking complex social, biological,
  • McGarrigle, Conor. Augmented Resistance: The Possibilities for AR and Data Driven Art. Leonardo Electronic Almanac 19, no. 1 (2013): 106-115.
  • McGarrigle, Conor. Art in the Data City In Digital Art in Ireland, edited by James O'Sullivan, 46-58. New York: Anthem Press, 2021.
  • Born in Adelaide, Australia in 1957, new media artist Simon Biggs emerged as one of a small number of Australian artists during the 1970’s who were experimenting with electronic and digital media. With initial influences from diverse sources, such
  • Conor McGarrigle is an artist and researcher working at the intersection of digital networks and real space. Coming from a background in net art, his work is concerned with the ways that digital networks are entangled in all aspects of everyday
  • Simon Biggs -
    As contemporary art practice moves ceaselessly into the vast and infinitely complex field of video and computer technology, the McDougall Art Annex takes pleasure in presenting the work of a leading artist in this area, British-based Simon Biggs.
  • McGarrigle, Conor and Noel Fitzpatrick. Real Smart (Data) City. Le colonialisme par des données In Le Nouveau Génie Urbain, edited by Bernard StieglerParis: FYP Éditions, 2020.
  • McGarrigle, Conor and Marisa Lerer. Art in the Age of Financial Crisis Visual Resources 34, no. 1-2 (2018): 1-12.
  • "Voice of Sisyphus" is a multimedia installation in which the image "At the Bar" is filtered by a computer program which then reads the segments and produces sounds out of them resulting in a continuously evolving composition. With George