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Forget the flâneur
2013
McGarrigle, Conor. Forget the flâneur In Proceedings of the 19th International Symposium on Electronic Art, edited by K. Cleland and L. Fisher and R. HarleySydney: ISEA2013, 2013.
Ken E. Rinaldo
Ken Rinaldo is internationally recognized for interactive art installations developing hybrid ecologies with animals, algorithms, plants, and bacterial cultures. His art/science practice serves as a platform for hacking complex social, biological,
Augmented Resistance: The Possibilities for AR and Data Driven Art.
2013
McGarrigle, Conor. Augmented Resistance: The Possibilities for AR and Data Driven Art. Leonardo Electronic Almanac 19, no. 1 (2013): 106-115.
Art in the Data City
2021
McGarrigle, Conor. Art in the Data City In Digital Art in Ireland, edited by James O'Sullivan, 46-58. New York: Anthem Press, 2021.
Simon Biggs
Born in Adelaide, Australia in 1957, new media artist Simon Biggs emerged as one of a small number of Australian artists during the 1970’s who were experimenting with electronic and digital media. With initial influences from diverse sources, such
Conor McGarrigle
Conor McGarrigle is an artist and researcher working at the intersection of digital networks and real space. Coming from a background in net art, his work is concerned with the ways that digital networks are entangled in all aspects of everyday
Simon Biggs
1997
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1997
As contemporary art practice moves ceaselessly into the vast and infinitely complex field of video and computer technology, the McDougall Art Annex takes pleasure in presenting the work of a leading artist in this area, British-based Simon Biggs.
Real Smart (Data) City. Le colonialisme par des données
2020
McGarrigle, Conor and Noel Fitzpatrick. Real Smart (Data) City. Le colonialisme par des données In Le Nouveau Génie Urbain, edited by Bernard StieglerParis: FYP Éditions, 2020.
Art in the Age of Financial Crisis
2018
McGarrigle, Conor and Marisa Lerer. Art in the Age of Financial Crisis Visual Resources 34, no. 1-2 (2018): 1-12.
Voice of Sisyphus
2011
video
"Voice of Sisyphus" is a multimedia installation in which the image "At the Bar" is filtered by a computer program which then reads the segments and produces sounds out of them resulting in a continuously evolving composition. With George
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