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  • La polysensorialité dans Osmose de Char Davies
    Banville, Annie-Claude. La polysensorialité dans Osmose de Char Davies In Jeunes chercheurs du CELAT, Montreal: 2000.
  • Rhizome_Raw: Database of Virtual Art, Humboldt University of Berlin
    Grau, Oliver. Rhizome_Raw: Database of Virtual Art, Humboldt University of Berlin Leonardo 8, no. 3 (March 2000): 5-6.
  • Christina Kubisch
    Christina Kubisch was born in Bremen in 1948. She studied music, painting and electronics. Performances and concerts until 1980, subsequently sound installations, sound sculptures and work with ultraviolet light. Numerous grants and awards, such as
  • Martin Kusch
    Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter
  • Microsoft Access 2000. Das Handbuch
    Albrecht, Ralf and Natascha Nicol. Microsoft Access 2000. Das Handbuch. Unterschleißheim: Microsoft, 1999.
  • Die neuen Bilder. Peter Weibel und Hubert Burda im Gespräch
    Weibel, Peter. Die neuen Bilder. Peter Weibel und Hubert Burda im Gespräch In Hubert Burda. Kunst und Medien, edited by Judith Betzler, 188-191. München, DE: Econ Verlag, 2000.
  • Hsin Hsin Lin
    Deeply rooted in art, music, mathematics and technology, Lin Hsin Hsin has composed and realized digital music without sound card and midi instruments since 1985. She has created the first virtual art museum in the world, 1994, designed the 50th
  • Lawrence Malstaf
    The work of Lawrence Malstaf can be situated on the borderline between the visual and the theatrical. After having studied industrial design, Lawrence Malstaf starts of in theatre. He designs scenographies for choreographers and directors as Benoît
  • Seiko Mikami
    Seiko Mikami passed away of cancer in January 2015. She was an interactive media artist that has been working in the realms of information systems and human sensing. Showing large-scale installations since the 80's she used sound, robotics and
  • The Coming and Going of Images
    Arnheim, Rudolf. The Coming and Going of Images Leonardo 33, no. 3 (2000): 167-168.
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