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5th Annual Computer Arts Invitationalcurated by Richard Twedt. Included Acevedo's print called 6.26.27.86 v01
1992
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1992
Event: 5th Annual Computer Arts Invitationalcurated by Richard Twedt. Included Acevedo's print called 6.26.27.86 v01Institution: Eastern Washington UniversityComment:
I Sing the Body Electric, curated by Susan Wiersemaincluded Acevedo's February 29, 1993 v02
1993
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1993
Event: I Sing the Body Electric, curated by Susan Wiersemaincluded Acevedo's February 29, 1993 v02Institution: Lancaster Musuem of ArtComment:
Computerkunst 1994
1994
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1994
This exhibition included two Victor Acevedo artworks: NYC 1983-85 and February 29, 1993
SIGGRAPH Artshow 1998
1998
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1998
This exhibition included Acevedo's artwork called The Lacemaker.
The Brain in Art and Science / Das Gehirn in Kunst @ Wissenschaft
2022
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2022
Victor Acevedo’s 1990 digital image called “Tell Me the Truth” is included in this exhibition.
Victor Acevedo: Visual Music : Video Survey 2010-2020
2020
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2020
Acevedo presented a 10-year retrospective survey of his Electronic Visual Music works and one pre-recorded AV performance. On opening night he performed two LIVE mix video AV sets along with Modular Synth musician called James Allen (J3m5).
"The Real, the Virtual and the We, (re-activating Lygia Clark's The I and the You: Clothing/Body/Clothing, 1967"
2016
"The Real, the Virtual and the We, (re-activating Lygia Clark's The I and the You: Clothing/Body/Clothing, 1967"Artist: Gabriela Aceves SepúlvedaComment:
Gabriela Aceves Sepúlveda
Dr. Gabriela Aceves Sepúlveda is an interdisciplinary media artist and cultural historian with a research focus in Latin American media art history. She is Associate Professor in the School of Interactive Arts and Technology at Simon Fraser
Re]Activating Mamá Pina's Cookbook
2017
Aceves Sepulveda, Gabriela. Re]Activating Mamá Pina's Cookbook Feminist Media Histories 3, no. 3 (2017): 159-166.
Re]Activating Mamá Pina's Cookbook
2017
Aceves Sepulveda, Gabriela. Re]Activating Mamá Pina's Cookbook Feminist Media Histories 3, no. 3 (2017): 159-166.
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