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  • Goldin+Senneby (since 2004) is a framework for collaboration set up by artists Simon Goldin and Jakob Senneby; exploring juridical, financial and spatial constructs through notions of the performative and the virtual. Their collaboration started
  • Lovejoy, Margot. Digital Currents: Art in the Electronic Age. London/New York: Routledge, 2004.
  • Myriam Thyes, *1963 in Luxembourg, grew up in Zurich, lives in Düsseldorf. 1986-92 Düsseldorf Art Academy, Prof. Nan Hoover. Exhibitions and festivals since 1994, including: 2004 Marl Media Art Awards; Transmediale Berlin; 2005 Kunstfilm Biennale
  • Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.
  • Mikami, Seiko. About and Around the "Molecular Informatics - Morphogenic Substance via Eye Tracking" Continuum In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Diputación de MalagaMalaga: Centro
  • Grau, Oliver and Ulrike Reinhard. Datenbank für Virtuelle Kunst In Digitale Transformationen. Medienkunst als Schnittstelle von Kunst, Wissenschaft, Wirtschaft und Gesellschaft, edited by Monika Fleischmann, 207-209. Heidelberg: Whois Verlag, 2004.
  • Kalay, Yehuda E.. Architecture´s New Media: Principles, Theories and Methods of Computer-Aided Design. Cambridge, MA: MIT Press, 2004.
  • Fantasmi
    Bennett, Jill and Dennis Del Favero. Fantasmi. Sydney, AUS: UNSW Press, 2004.
  • Malina, Roger F.. Leonardo Timeshift In Ars Electronica 2004: Timeshift: Die Welt in 25 Jahren/ Timeshift: The World in 25 Years, edited by Gerfried Stocker and Christine SchöpfOstfildern-Ruit: Hatje Cantz, 2004.
  • Arnheim, Rudolf. Visual Thinking. Berkeley: University of California Press, 2004.