Archive Search

Poulin, Marie-Claude. Mutations- bodily perception, analog and digital dispositives In 2- Art Research Envelope, edited by Alexander Damianisch and Margarete JahrmannVienna: Universität für angewandte Kunst Wien, 2019.

Geoff Davis. Micro Arts History 1984–85 Computer Generated Art and Stories: Computational art and story generators from the 1980s micro computer scene. Vol.1. 1 th ed.London: Story Software, 2019.

Gates-Stuart, Eleanor and Marguerite Bramble and Rafael de Lima and Bernard Higgins and Coralie McKenzie and Samantha Dowdeswell and Robert Lewis. Evoking Memories: Displacing the Fear of Technology Fusion Journal 016 (2019): 23-35.

Gates-Stuart, Eleanor. Editorial: Underlining technologies in research practice utilising digital entrepreneurship in creating visual narratives/storytelling Fusion Journal 016 (2019): 1-4.

RADIANCE. She Who Sees The Unknown: Kabous, The Right Witness, and The Left Witness https://www.radiancevr.co/artists/morehshin-allahyari/.

RADIANCE. The International Research Platform For Virtual Reality Experiences in Art https://www.radiancevr.co/artists/martina-menegon/menegon-keep-in-touch/.

Legrady, George and Rama Hoetzlein. Making Visible the Invisible: A Data-Driven Artwork in Continuos Operation for 15 Years https://www.mat.ucsb.edu/g.legrady/glWeb/publications/p/makingvisible.pdf.

Thompson, Steve. Four Questions for George Legrady https://cabanahome.com/four-questions-for-george-legrady-with-steve-thompson/.

van der Meulen, Sjoukje and Max Bruinsma. Man as 'Aggregate of Data': What Computers should not do. AI & Society 2, no. 34 (2019): 343-354.

van der Meulen. Going Digital? New Media and Digital Art at the Stedelijk Arts 8, no. 97 (2019): 1-16.