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  • "A central concept of my artworks is 'freedom of speech.' My understanding of freedom and democracy is not only "rights"and "privileges" ­ the traditional definition in the USA ­ but also of responsibilities. Interactive Media give audiences the
  • Khan, Omar and Philip Beesely, ed. RESPONSIVE ARCHITECTURE / PERFORMING INSTRUMENTS. New York: The Architectural League of New York, 2009.
  • Bonnemaison, Sarah and Christine Macy and Rob Gorbet and Philip Beesley, ed. RESPONSIVE TEXTILE ENVIRONMENTS. Halifax: Riverside Architectural Press and TUNS Press, 2007.
  • Benayoun, M. and Stephen W. Gilroy and Marc Cavazza and Remi Chaignon. An Emotionally Responsive AR Art Installation ISMAR’07 (2007).
  • An Explicit Volume -
    An Explicit Volume is an interactive installation comprising nine books arranged in a three by three grid. Each book is operated by an electronic page turner. The project is sited in a darkened space where four red vinyl chairs are arranged facing
  • MIXING IT UP! -
    A symposium about responsive environments and new technologies being explored by contemporary sound and visual artists.
  • Responsive Architectures
  • Event: Feedback – Art Responsive to Instructions, Input, or its EnvironmentInstitution: LABoral Centro de Arte y Creacion IndustrialComment:
  • Responsive audiovisual installation where visitors playfully stack, as if pieces of a giant interactive puzzle, plastic bins that act as symbols of containers transiting world markets. Video-mapping projections react to the new sculptural
  • "je suis (un readymade)" is a touchscreen television installation. Each participant directs his or her own experience through this unfolding discourse surrounding the issue of "free speech" in a mass media environment. Individuals find themselves