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Plasm: Above the Drome
1991
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1991
Three networked skyboards equip visitors to surf freely throughout a shared virtual space. Each fiberglass skyboard is a custom full-body input device, with force-sensing resistors driving the flight simulation for the occupant's on-screen
Plasm: A Fish Sample
1985
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1985
The initial installation in the Plasm series, this piece was inspired by Allen Kay's talk on artificial life forms and simulated ecologies at SIGGRAPH the preceding year. A real-world living room setting, complete with sofa, coffee table,
Peter Broadwell
Peter grew up around the world, studied math, and liked to build things. Using math to make pictures led him to computers, which led to trying to “get the darn things to generate pretty images easily”. Still striving for that goal, with a day job at
Trust : an exhibition on the occasion of ISEA 2010 Ruhr, 16th International Symposium on Electronic Art
2010
Broeckmann, Andreas, ed. Trust : an exhibition on the occasion of ISEA 2010 Ruhr, 16th International Symposium on Electronic Art. Heidelberg: Kehrer, 2010.
Trust : an exhibition on the occasion of ISEA 2010 Ruhr, 16th International Symposium on Electronic Art
2010
Broeckmann, Andreas, ed. Trust : an exhibition on the occasion of ISEA 2010 Ruhr, 16th International Symposium on Electronic Art. Heidelberg: Kehrer, 2010.
ASCII Shell Forkbomb
2001
This forkbomb is a kind of poetic virus. If its visually attractive line of only thirteen characters is entered into the command line of a Unix system and the enter key is pressed, within seconds the computer will crash because the devious little
Das Fremde und das Eigene - Globalisierung der Kulturen : Nam June Paik: Fluxus und Video-Skulptur
2002
Paik, Nam June and Gottlieb Leinz and Christoph Brockhaus. Das Fremde und das Eigene - Globalisierung der Kulturen : Nam June Paik: Fluxus und Video-Skulptur. Duisburg, DE: Stiftung Wilhelm Lehmbruck Museum, 2002.
TAMAS WALICZKY: CAMERAS AND OTHER OPTICAL INSTRUMENTS
2018
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2018
TAMAS WALICZKY: CAMERAS AND OTHER OPTICAL INSTRUMENTS ANI MOLNÁR GALLERY 04.07.2018 – 29.09.2018 Opening: 04.07.2018, Wednesday at 6 pm. Opening speech by Miklós Peternák art historian Curated by Anna Szepesi art historian Tuesday to Friday 12 pm. -
The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research
2010
Broeckmann, Andreas. The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research Knowbotic Research (online) (2010).
Trust : an exhibition on the occasion of ISEA 2010 Ruhr, 16th International Symposium on Electronic Art
2010
Broeckmann, Andreas, ed. Trust : an exhibition on the occasion of ISEA 2010 Ruhr, 16th International Symposium on Electronic Art. Heidelberg: Kehrer, 2010.
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