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  • Telepresent Onlookers video
    The Telepresent Onlookers utilizes the EVE (1993) visualization system. In the centre of a large inflatable dome, two video projectors are mounted on a motorised pan/tilt device which can move the projected image anywhere over the inside surface of
  • Pure Land AR
    Pure Land AR employs iPad screens that visitors use as mobile viewing devices to explore the magnificent Buddhist wall paintings inside Cave 220, a cave dated to early Tang, from the Mogao Grottoes at Dunhuang in Gansu province, China. It is an
  • schème video
    Two dancers/performers interact with an audio-visual environment. Their movement data control cameras, microphones, and architectural projections of 3D representations of each performance venue. Four scenes, made up of choreography and media, play
  • s t i l l a l i v e video
    The video work stillalive is a commission for the Kunsthaus Graz and the exhibition ‘Faking the Real’. The concept was to produce an artistic edit of a specific three-minute excerpt from John Carpenter’s film ‘They Live’. This approach corresponds
  • Cameras | Exhibition of Tamas Waliczky -
    Cameras | Exhibition of Tamas Waliczky | CMC L3 Gallery, Run Run Shaw Creative Media Centre Curator: Anna Szepesi Opening speech by Jeffrey Shaw CMC Gallery, L3, Run Run Shaw Creative Media Centre 18 Tat Hong Avenue, Kowloon Tong, Hong Kong
  • TAMAS WALICZKY: CAMERAS AND OTHER OPTICAL INSTRUMENTS -
    TAMAS WALICZKY: CAMERAS AND OTHER OPTICAL INSTRUMENTS ANI MOLNÁR GALLERY 04.07.2018 – 29.09.2018 Opening: 04.07.2018, Wednesday at 6 pm. Opening speech by Miklós Peternák art historian Curated by Anna Szepesi art historian Tuesday to Friday 12 pm. -
  • Tamás Waliczky | Imaginary Cameras | Hungarian Pavilion | Biennale Arte 2019 -
    Tamás Waliczky | Imaginary Cameras | Hungarian Pavilion | Biennale Arte 2019 Hungarian Pavilion at Biennale Arte 2019 11 May > 24 November 2019 National Commissioner: Julia Fabényi, Director of Ludwig Museum - Museum of Contemporary Art Curated by
  • schème video
    Two dancers/performers interact with an audio-visual environment. Their movement data control cameras, microphones, and architectural projections of 3D representations of each performance venue. Four scenes, made up of choreography and media, play
  • Two Trees
    The video of this work was captured in a field outside of Oregon, Wisconsin using a Mavic 2 Pro drone. The two trees in this piece have for years been a source of delight when entering into the town of Oregon while visiting my daughter. I had
  • The Living Room -
    Gallery based distributed interactive digital video projection environment Multiple rooms, each approximately 12 x 10 x 6 metres 4 large scale projections, black and white and colour, multi-channel interactive sound Produced by The Film and
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