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  • Beatriz Escribano Belmar
    Bachelor of Fine Arts, finished in 2011 at the Faculty of Fine Arts of Cuenca, University of Castilla La Mancha (UCLM), with honours at her Final Project which consists of a multiscreen video installation. She works and is specialized in the field of...
  • Martina Menegon
    Martina Menegon (she/her - Italy, 1988) is a digital artist, curator, and educator based in Vienna.
    She is Senior Artist and Lecturer in the Transmedia Art department at the University of Applied Arts Vienna, where she teaches "Digital Design and...
  • Station Rose
    Station Rose/STR was founded in Vienna, Austria, in 1988 by Gary Danner (sound) and Elisa Rose (visuals). As one of the first digital groups worldwide Station Rose have used the potential of live audio visual media and the internet for performing in...
  • Psychische Prozesse beim Verstehen von Bildern
    Psychische Prozesse beim Verstehen von BildernAuthor: Weidemann, Bernd
  • Paysages Virtuels
    Riviere, Daniele. Paysages Virtuels. Paris: Editions Dis Voir, 1988.
  • Alle Revolutionen sind technische Revolutionen. Vilém Flusser im Gespräch mit Florian Rötzer
    Flusser, Vilém. Alle Revolutionen sind technische Revolutionen. Vilém Flusser im
    Gespräch mit Florian Rötzer Kunstforum International 97 97 (1988): 120-134.
  • Using Backpropagation with Temporal Windows to Learn the Dynamics of the CMU Direct-Drive Arm
    Goldberg, Ken and Barak Pearlmutter. Using Backpropagation with Temporal Windows to Learn the Dynamics
    of the CMU Direct-Drive Arm In Advances in Neural Information Processing Systems, San Francisco, CA: Morgan Kaufmann Publishers, 1988.
  • Un Musée Imaginaire de la Revolution
    Shaw, Jeffrey. Un Musée Imaginaire de la Revolution Mediamatic 2, no. 4 (1988).
  • Supervernetzung im unendlichen Datenraum
    Ascott, Roy. Supervernetzung im unendlichen Datenraum In Zwischen Null und Eins, edited by Peter Purgathofer, 53-59. Wien: TU Wien, 1988.
  • Öffentliche Bilder und Bilder der Macht
    Weibel, Peter. Öffentliche Bilder und Bilder der Macht In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 247-251. Linz: Gutenberg-Werbering, 1988.
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