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Barbosa, Ana Mae. The Plural Image In Connection: an optical life electronics for images, edited by DIANA MARIA G DOMINGUESMuseu de arte Contemporânea – MAC/USP: 1990.

Machado, Arlindo. The Migrant Forms of Diana Domingues Centro Cultural Cândido Mendes (1990).

WILSON, Stephen. Art+Science Now. San Francisco: Thomas and Hudson, 2011.

WILSON, Stephen. Art+Science Now. San Francisco: Thomas and Hudson, 2011.

DOMINGUES, DIANA MARIA G. Rituels Énactifs Affectifs et La Naturalization des Technologies: entre le corps et le calcul, la transe et l’algorithme In Pour un imaginaire numérique avec Edmond Couchot, edited by Marie-Hélène TRAMUS and Sophie DASTE...

DOMINGUES, DIANA MARIA G. The clarity of Edmond Couchot's thought: from interactive rituals to affective enactive systems conducive to the naturalization of technology In For a digital imagination with Edmond Couchot. Hybridizations between the arts,...

DOMINGUES, DIANA MARIA G. Cyberart: some artistic, aesthetic, technological and poetic contents. Heterogénesis (2002): 54-62.

DOMINGUES, DIANA MARIA G. Day Dreaming States in Interfaced environments Isea 2002 15 (2002): 91-92.

DOMINGUES, DIANA MARIA G. Ciberarte: rituais interativos para um sujeito interfaceado Coleção Mario Schemberg Arte e Ciência - ECA USP 1 (2001): 157-171.

DOMINGUES, DIANA MARIA G. Interatividade e ritual: diálogos do corpo com os sistemas artificiais Informática na Educação, UFRGS- Porto Alegre 3, no. 1 (2000): 111-120.