Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
134
135
136
137
(current)
138
(more)
1056
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
The Edison Effect
1989
-
1993
The Edison EffectArtist: Paul DeMarinisComment:
Fireflies Alight on the Abacus of Al-Farabi
1989
Fireflies Alight on the Abacus of Al-FarabiArtist: Paul DeMarinisComment:
An Unsettling Matter
1991
An Unsettling MatterArtist: Paul DeMarinisComment:
Music Room / Faultless Jamming
1982
Music Room / Faultless JammingArtist: Paul DeMarinisComment:
Seeing is believing
1996
-
2000
The installation to see the invisible. An installation for a one-man exhibition at Hiroshima City Museum of Contemporary Art,Japan. "Seeing is Believing" consists of three works. "Empty Entity" infrared ray electric light display, "Sheep"
Vanishing Body
1997
-
1997
A work to lead spectator to a position of a performer. An installation for an exhibition "De-Genderism" at Setagaya Museum, Japan. When you enter the semicircle room (devided into two rooms by a screen), you are asked whether to enter with your
PostPet
1996
-
2001
A artificial pet mail-soft. Planning and directing.(Graphic Design by MANABE Namie, Program by KOUKI Takashi) A pet you keep in your computer delivers your e-mail just like a carrier pigeon. If your e-mail friend has PostPet soft, your pet
Thanks Tails
1996
"Thanks Tails" are tails for cars. An organ which express appreciation. To make it easier to understand, it is not expressed by language but by the gesture of tails of dogs. I consider this as an art work only when this is manufactured. This
The Pygmy Gamelan
1973
The Pygmy GamelanArtist: Paul DeMarinisComment:
Cyberflower
2000
Cyberflower IV, 4. 29" by 23", 2000. Algorithmic pen and ink drawing on paper with artist's studio seal in red. The seal characters read "Little Path Studio" for "Pathway Studio" “Cyberflowers” son flores digitales cosechadas desde el universo
1
…
(more)
134
135
136
137
(current)
138
(more)
1056