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  • Kirschner, Morawe, Reiff
    //////////fur//// develops art entertainment interfaces for multidimensional multiuser involvement: software-programs in mechatronic artefacts that create dynamic action-spaces for two or more participants. //////////fur////'s guiding idea is the
  • Michael Naimark
    Michael Naimark is a media artist and researcher who often explores "place representation" and its impact on culture. He has served as faculty in the USC School of Cinematic Arts' Interactive Media Division (2004-09), the NYU Tisch School of the
  • Parables on the Morphogenic Substance
    Kohso, Sabu. Parables on the Morphogenic Substance In Molecular, Informatics-Morphogenic Substance via Eye Tracking/ LTM (Low-Tech Music), edited by Seiko Mikami and Oscar Abril AscasoMalaga, Spain: Centro de Ediciones de la Diputación de Malaga,
  • Die postmediale Kondition
    Weibel, Peter. Die postmediale Kondition In Die Medien der Kunst. Die Kunst der Medien, edited by Gerhard Johann Lischka and Peter Weibel, 207-214. Karlsruhe, DE: ZKM Karlsruhe, 2004.
  • La relation comme forme. L´interactivité en Art
    Centre pour l´image contemporaine, Saint-Gervais, Genéve and l´Université Paris 8, ed. La relation comme forme. L´interactivité en Art. Dijon, France: Les Presses du Réel, 2004.
  • Ortlosigkeit und Bilderfülle - Auf dem Weg zur Telegesellschaft
    Weibel, Peter. Ortlosigkeit und Bilderfülle - Auf dem Weg zur Telegesellschaft In Iconic Turn. Die neue Macht der Bilder, edited by Christa Maar and Hubert Burda, 216-226. Köln, DE: DuMont Buchverlag, 2004.
  • Paul Hertz
    Paul Hertz is an independent artist, printmaker, and curator who works with algorithmic processes. From 1971 to 1983, he lived and worked in Spain, where he collaborated with actors and musicians. He earned a BA in Fine Arts from Brown University
  • Susan Pui San Lok
    Born in Essex, England, susan pui san lok lives and works in London. She graduated with a first in Fine Art from Bretton Hall, University of Leeds (1994), followed by an MA with distinction in Feminism and the Visual Arts, again from the University
  • Networked Narrative Environments as Imaginary Spaces of Being
    Zapp, Andrea. Networked Narrative Environments as Imaginary Spaces of Being. Manchester, Liverpool: Manchester Metropolitan University and Foundation for Art and Creative Technology, FACT, 2004.
  • The Actual and the Imagined
    Collins, Susan. The Actual and the Imagined In Networked Narrative Environments as Imaginary Spaces of Being, edited by Andrea ZappManchester: Cornerhouse Publications, 2004.
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