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  • Understanding Media: The Extensions of Man
    McLuhan, Marshall. Understanding Media: The Extensions of Man. New York: McGraw-Hill, 1964.
  • Understanding Scanlation: How to read one million fan-translated manga pages
    Manovich, Lev and Jeremy Douglass and William Huber. Understanding Scanlation: How to read one million fan-translated manga pages http://manovich.net/index.php/projects/understanding-scanlation.
  • Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV
    TRAMUS, MARIE-HELENE and Diana Domingues. Une coopération universitaire sur l?art numérique entre le Brésil et la France : NTAV et INREV In France-Brésil : des jalons pour l’avenir : Repères historiques et prospectifs pour des échanges intellectuels...
  • Une décision scientifique pose un lapin à Avignon
    Diez, René. Une décision scientifique pose un lapin à Avignon Midi Libre (June 2000): 8.
  • Unending Closure -
    The events that have unfolded since the turn of the century, in addition to the unending technological parade of innovation and the bloating of Media influence over the world has yielded not a people that enjoy Sunday afternoon picnics on the moon,...
  • UNESCO digi-arts
  • Unexpected Growth -
    Perturbations in the natural order have torn the fabric of the space-time continuum, and unexpected growths are seeping into our world - perhaps from our own future. Augmented reality apps transform our mobile devices into "ARscopes;" allowing us to...
  • Unfinishable Sketch of an Object in 4D: Scenes of Artistic Research
    Maharaj, Sarat. Unfinishable Sketch of an Object in 4D: Scenes of Artistic Research In Artistic Research, edited by Annette Balkema and Henk Slager, 50. Amsterdam, New York: Lier and Boog, 2004.
  • Unfinished History -
    Event: Unfinished HistoryInstitution: Walker Art CenterComment:
  • Unformed Symbols -
    Custom-made table with loud speakers, data projector, PlayStation 3

    The deck of cards laid out on the table seems to separate and fly off of their own accord, moving over the surface and settling into new patterns and positions. In “Unformed...
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