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  • ARTEC 95 -
    Three main categories emerged in ARTEC '95: 1. sculptures and environments emulating life or protolife; 2. portraits and interpretations derived from the world at large; and 3. performances and displays of invented image. The Biennale continued to
  • Arte em Sintonia, GRANDES NOMES DA ARTE DO RIO GRANDE DO SUL -
    Simone Michelin is interviewed by the artist Liana Timm, in her program about great names of Brazilian Contemporary Art, born in Rio Grande do Sul.
  • GRANDES NOMES DA ARTE DO RIO GRANDE DO SUL - Arte em Sintonia
    Liana Timm interview Simone Michelin, in the radio series Arte em Sintonia, produced in Porto Alegre, RS, Brazil
  • Cosmopolis
    Giant interactive installation, VR telescopes, pan Overwriting the city An interactive artistic and scientific multimedia exhibition on the major issues linked to the world urbanisation Cosmopolis endeavours to examine urban realities
  • Maia Simonishvili
    Scholar: Maia Simonishvili
  • GENMA - video
    GENMA is a machine, that enables us to manipulate 'Nature'. Nature exemplary is represented as artificial nature of a micro scale: abstract amoeboid artificial three-dimensional forms and shapes. Principles of artificial life and
  • VERBARIUM - video
    VERBARIUM is an interactive text-to-form editor on the Internet. At the VERBARIUMΒ’s web site, on-line user can choose to write text messages and each of these messages functions as a genetic code to create a visual three-dimensional form. A special
  • Featured Artist Giselle Beiguelman
    .. Her art works reflect on urbanity and community as seen through digital media and have been exhibited worldwide at festivals and museums..
  • There`s no Simulation like Home -
    This installation entitled There's no simulation like home is the culmination of artistic telematic research since 1992. The exterior of the installation resembles the back of a plasterboard stage set, or as if the bricks of a house had been
  • Virtual Balance - video
    VIRTUAL BALANCE: LOOKING WITH THE FEET 1994 Understanding interactivity in cyberspace as a seamless experience rather than a clickable one, Virtual Balance borrows from the myth of the magic carpet to move through data. The magic carpet, popularized
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