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GENMA
1996
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1997
video
GENMA is a machine, that enables us to manipulate 'Nature'. Nature exemplary is represented as artificial nature of a micro scale: abstract amoeboid artificial three-dimensional forms and shapes. Principles of artificial life and
The Echoes of Ambiguity within electronic space
1988
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1988
The Echoes of Ambiguity within Electronic Space - A series of image files produced on a Commodore Amiga computer that were derived from ambiguous compositions of language representation - whilst being abstract yet representational of reality at the
Think about the people now
1990
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1990
video
A Commodore Amiga hyper-media computer programme, based on the theme of a media reported event from the 1990 Remembrance Ceremony in Whitehall, London. A young man ran out from the crowd and set fire to himself and shouted the words "think about the
Telematic Encounter
1996
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1996
Two dispersed installations are connected via an ISDN teleconferencing link, enabling audio and video communication between the two sites. The first installation (location 1), the main gallery installation consists of a table and chair on a carpet
Diadrama
1974
The Diadrama was an audio-visual performance with over 2000 slides being projected onto a large wide screen by three pairs of synchronised slide projectors. The main themes explored in this work were panoramic methods of representation, the collage
L'Art et le Numérique en Résonance 1/3: Convergence
2015
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2015
2015 L'Art et le Numérique en Résonance 1/3, Convergence (15th January - 4th April 2015) at the Maison Populaire de Montreil Curator: Dominique Moulon Artists: Samuel Bianchini, Marie-Julie Bourgeois, Emilie Brout & Maxime Marion, Patra Cortright,
SHOW OFF LAB’ Edition 2012
2012
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2012
2012 SHOW OFF LAB’ Edition 2012 (during the FIAC in Paris, October, 17th-21st 2012) Artists: Joseph Nechvatal, Pascal Dombis, Grégory Chatonsky, Miguel Chevalier, France Cadet, RYBN, Lydia Venieri, Julien Levesque, David Guez, Marika Dermineur &
Laser Installation and Performances
1976
A custom laser scanning system was developed that could project the laser beam as shaped planes and cones of light in a full 360-degree space around the projector. Scanning and rotation of the laser mirrors was controlled by a specially made analog
Alice's Room
1989
video
In this installation at the International Art & Science Exhibition a large, back projected high-resolution monitor was mounted on a motorised turntable. An infra-red joystick controlled the 360-degree rotation of this screen and the synchronous
Place - A User's Manual
1995
video
This work extends the tradition of panorama painting, photography and cinematography in the vector of simulation and virtual reality. The viewer can interactively rotate a projected image around a circular screen and so explore a virtual
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