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The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation 2016

Sanchez Cardona, LM. The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation. Mexico: Futura/Fonca, 2016.
Simon Penny: Sympathetic Sentience 1995 - 1995

Event: Simon Penny: Sympathetic SentienceInstitution: Galerie Samuel LallouzComment:
Maria Roussou

Dr. Maria Roussou is an Associate Professor (tenured) in Interactive Systems (i.e. Human-Computer Interaction, Virtual Reality, Computer Games) at the Department of Informatics & Telecommunications, National and Kapodistrian University of Athens.
Japan Media Arts Festival 2003 2003

February: 6th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 27–March 9, 2003 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 1,375 works (including 138 from overseas) Visitors: 16,060 people
European Media Art Festival 2010: Mash Up 2010

The range of images, films, music and texts on the internet is growing rapidly. All digitally available elements can be used as material to make new collages. For this reason, many artists scour the internet’s servers for raw material to integrate
Galerie Samuel Lallouz
Worldmaking as Techné: Participatory Art, Music, and Architecture 2018

Hosale, Mark-David and Sana Murrani and Alberto de Campo, ed. Worldmaking as Techné: Participatory Art, Music, and Architecture. Toronto: Riverside Architectural Press, 2018.
Aynı Anda Her Yerde / Ubiquity 2021 - 2021

online video screening
Kwangju Biennale 2004 2004 - 2004

"The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
Aktionsforum Praterinsel 1993

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