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  • Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
  • Part of an emerging generation of new media artists, Shirley Shor employs technological processes in the service of larger issues related to human experience and fine art. Shor creates real-time computer generated installations, and environments
  • I am fascinated by human/techno/plant relations in dynamic systems and networked assemblages. Working with new technology against the grain, my research takes a positive yet critical approach, framed by new materialism and posthumanism. I have
  • Albu, Cristina. Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) Camera Obscura: Journal of Feminism, Culture and Media Studies; Duke University Press 35, no. 1 (Spring
  • Event: Public Keys (Performance)Institution: San Francisco Camera WorksComment:
  • Incubator (with Tao G. V. Sambolec)
  • Camera Histories -
    Event: Camera HistoriesInstitution: Street Level PhotoworksComment:
  • Interactive installation exploring the potential of single-user virtual reality. Rearrangement of multiple subjective camera views captured from the body of an Olympic diver. VR head-mounted display transmitting simultaneous viewpoints and
  • Peeping into a mirror-clad triangular prism, a surveillance camera observes images of its own species, while the kaleidoscopic reflections turn the devices into floral ornaments, referring to the ever-growing arrays of CCTV equipment in a tropical