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On Sylvia Grace Borda's Camera Histories
2016
Travis, Rebecca. On Sylvia Grace Borda's Camera Histories Scottish Society for the History of Photography https://sshop.org.uk/2016/06/14/rebecca-travis/ (June 2016).
Shirley Shor
Part of an emerging generation of new media artists, Shirley Shor employs technological processes in the service of larger issues related to human experience and fine art. Shor creates real-time computer generated installations, and environments
Rewa Wright
I am fascinated by human/techno/plant relations in dynamic systems and networked assemblages. Working with new technology against the grain, my research takes a positive yet critical approach, framed by new materialism and posthumanism. I have
Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983)
2020
Albu, Cristina. Intimate Connections: Alternative Communication Threads in Nina Sobell's Video Performances and Installations (1974-1983) Camera Obscura: Journal of Feminism, Culture and Media Studies; Duke University Press 35, no. 1 (Spring
Public Keys (Performance)
2003
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2003
Event: Public Keys (Performance)Institution: San Francisco Camera WorksComment:
Camera Lucida
2002
Incubator (with Tao G. V. Sambolec)
Camera Histories
2013
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2014
Event: Camera HistoriesInstitution: Street Level PhotoworksComment:
San Francisco Camera Works
Diver
2018
video
Interactive installation exploring the potential of single-user virtual reality. Rearrangement of multiple subjective camera views captured from the body of an Olympic diver. VR head-mounted display transmitting simultaneous viewpoints and
National Flowers [Reflection]
2020
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2021
video
Peeping into a mirror-clad triangular prism, a surveillance camera observes images of its own species, while the kaleidoscopic reflections turn the devices into floral ornaments, referring to the ever-growing arrays of CCTV equipment in a tropical
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