Archive Search

  • This immersive audio environment explores how humans react to commands imposed by a machine generating its acoustic stimuli on the basis of tracked body movement. In this environment, different states of human and machine action are understood as a
  • Exploded Views -
    Exploded Views is an interactive installation whereby three participants run on individual conveyor belts. They physically move themselves through both an interactive audio-environment and interactive imagery projected at the front of the belts. The
  • Children's Tales? -
    iMAL Center for Digital Cultures and Technology Children's Tales? exhibition. The exhibition includes Waliczky's "The Garden (21st Century Amateur Film)" and "The Fisherman and His Wife" computer animations. 18 / 07 / 2017 - 01 / 09 / 2017
  • Scarlet(t) -
    This work uses a feature tracking algorithm to extract Scarlett Johanssen’s iconic lips from the costume drama “Girl with a Pearl Earring”. Extracting this one signifier, Scarlett’s mouth, wrenches the true subject of the movie – her lips, and their
  • Nature? -
    "In “Nature?” I have created live butterflies where their wing patterns were modified for artistic purposes. Such changes were achieved by interfering with the normal development of the wing, inducing the development of a new pattern never seen
  • Scenocosme (Grégory Lasserre & Anaïs met den Ancxt) in collaboration with Lola and Yukao Meet (Lola Ajima & Yukao Nagemi) La maison sensible is an interactive installation that augments the physical space and the relationship between an onlooker
  • Cinema Lascado (Chipped Movie) is an going video project by Giselle Beiguelman. It portrays devasted urban landscapes, where elevated expressways produced social fractures in the cultural territory of the cities in which they were built. Till now it
  • Fractals
    KUYPERS, Janet. Scythes. Down in the Dirt. Illinois, USA: Scars Publications, 2020. ISSN 1554-9666. (EN) http://scars.tv/art/Radoslav_Rochallyi/
  • Aceti, Lanfranco. Without Visible Scars: Digital Wars and the Memory of War,” Leonardo 42, no. 1 (2009): 16-26.
  • "In this project we wanted to buy Google via its own money. We generated revenues by serving Google text advertisements on a network of hidden websites clicked by bots. With this money we automatically bought Google shares. After this process we