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  • Elkins, James. How to Use your Eyes. Colchester, UK: Taylor and Francis, 2008.
  • Fischlin, Daniel and Andrew Taylor. Living Cartography Border Crossings (1994): 64-66.
  • Ray, Thomas. An Approach to the Synthesis of Life In Artificial Life II, edited by Christopher Langton and Charles Taylor and Steen et. al. RasmussenVol.XI. , 371 - 408. Redwood City, California: Addison-Wesley, 1991.
  • Taylor, Brandon. Collage: The Making of Modern Art. London: Thames & Hudson, 2004.
  • The National Museum of Modern Art, Kyoto (MoMAK), is pleased to announce on the behalf of the National Museum of Modern Art, Tokyo (MOMAT) and the Hiroshima City Museum of Contemporary Art (Hiroshima MOCA) the upcoming exhibition, William
  • Scholar: Taylor D. Grant
  • Since the 1980s, multimedia artist, composer, writer and educator Randall Packer has worked at the intersection of interactive media, live performance, and networked art. He has received critical acclaim for his socially and politically infused
  • Ben Rubin is a media artist based in New York City. In 1993 he founded EAR Studio and in 2007 Mark Hansen joined him as creative partner. He has a BSc in Computer Science from Brown University and received an MSc in Visual Studies from the
  • DOMINGUES, DIANA MARIA G, ed. Creative Technologies and Innovation: Health and Wellbeing. Vol.1000. 27 th ed.UK: Taylor & Francis, Routlege, 2016.
  • DOMINGUES, DIANA MARIA G. Cyberart and interfaces: the coupled body Digital Creativity, Taylor & Francis 3, no. 15 (2004): 159-173.