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  • Tweak Festival -
    Event: Tweak FestivalInstitution: Ars Electronica Linz GmbH & Co KGComment:
  • Tweet Time -
    In a world in which everything is accelerating, taking time out to reconsider one's daily habits, reclaim one's own choice of rhythm, and be aware of our limits, seems ever more vital. With Tweet Time, which was produced in collaboration with...
  • Tweetopia
    Tweetopia are data-scrolls, documenting the passing of time, through minute changes in a fixed structure, using data from the evolving DiGi-FLiP project @jtwinedotcom on the micro-blogging site Twitter over the course of three years from 2013 to...
  • TWENTY + CHANGE: EMERGING TORONTO DESIGN PRACTICES
    Dubbeldam, Heather and Lola Sheppard, ed. TWENTY + CHANGE: EMERGING TORONTO DESIGN PRACTICES. Toronto: Riverside Architectural Press, 2009.
  • Twenty Centuries of Virtual Reality
    Penny, Simon. Twenty Centuries of Virtual Reality Magazyn Sztuki 9, no. 1 (1996).
  • Twenty Centuries of Virtual Reality
    Penny, Simon. Twenty Centuries of Virtual Reality In Virtuaalisuuen Arkeologia, edited by Erkki HuhtamoRovaniemi: Lapin Yliopisto, University of Lapland, 1995.
  • Twenty Centuries of Virtual Reality
    Penny, Simon. Twenty Centuries of Virtual Reality InterCommunication 14 (1995).
  • Twenty Fragmentary Thoughts on Video Installation
    Huhtamo, Erkki. Twenty Fragmentary Thoughts on Video Installation In Interface: Nordic Video Art, edited by Pål Wrange, 18-23. Stockholm: Stiftelsen Nordisk Videokonst, 1990.
  • Twin Depths -
    Video Installation. A series of perfomances 'An attempt to return back to native element'. The installation consists seven screens with loop playing seven movies. It is based on a series of performances 'An attempt to return back to native element'...
  • Twin-Touch-Test-Redux: Media Archaeological Approach to Art, Interactivity, and Tactility
    Huhtamo, Erkki. Twin-Touch-Test-Redux: Media Archaeological Approach to Art, Interactivity, and Tactility In MediaArtHistories, edited by Oliver Grau, 71-101. Cambridge, MA: MIT Press, 2006.
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