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Festival International EXIT - Créteil (France) / "Natures artificielles" / Curator : Charles Carcopino
2013
Event: Festival International EXIT - Créteil (France) / "Natures artificielles" / Curator : Charles CarcopinoInstitution: Ars Electronica Linz GmbH & Co KGComment:
Festival International EXIT - Créteil (France) / "Natures artificielles" / Curator : Charles Carcopino
2013
Event: Festival International EXIT - Créteil (France) / "Natures artificielles" / Curator : Charles CarcopinoInstitution: Ars Electronica Linz GmbH & Co KGComment:
The OCT Art and Design Gallery - Shenzhen (China) / "Augmented senses" / Curator : Yan Xiaodong, Charles Carcopino
2011
Event: The OCT Art and Design Gallery - Shenzhen (China) / "Augmented senses" / Curator : Yan Xiaodong, Charles CarcopinoInstitution: Ars Electronica Linz GmbH & Co KGComment:
@rt Outsiders International Digital Art Festival 2007 – Territoires Invisible
2007
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2007
2007 Maison de la Photographie, Sept 12-30 2007 Art@utsiders - Territoires Invisible http://www.art-outsiders.com/default_eng.htm (exhibiting artists: Charles & Ray Eames, Semiconductor, Ken Goldberg & Karl Bohringer, Gregory Chatonsky, Victoria
Birds in a Hat
1968
Birds in the Hat (1968), presents an iconic example of an early plotter drawing, a printing technique that allowed for an ink pen to be guided by digital input. Executed using an IBM 7094 computer and a drum plotter, this work mathematically
Numeric Milling
1968
Measurements 33 x 56 x 22 cm (13 x 22 x 8.5 in.) Csuri's wooden sculpture Numeric Milling is one of the few early computer sculptures created with a computer-driven milling machine. Artist's Comments This work made use of the Bessel function to
Grass
1972
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1972
video
The original programming language "GRASS" (GRAphics Symbiosis System) was developed by Thomas DeFanti for his Ph.D. dissertation at The Ohio State University in 1974. For further information, see Wayne Carlson, Historical Significance In 1969, the
Festival International EXIT - Créteil (France) / Curator : Charles Carcopino
2011
Event: Festival International EXIT - Créteil (France) / Curator : Charles CarcopinoInstitution: Ars Electronica Linz GmbH & Co KGComment:
Cosmic Matter
1990
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1990
Cosmic Matter brings forth Csuri s ability invoke Surrealism and Abstract Expressionism within the realm of technology. As Maurizio Calvesi eloquently described the dynamics of this piece, Cosmic Matter is an explosion of coloured splinters, in a
The Muse
1990
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1990
“The Muse” 1990 Featured article by noted curator Maurizio Calvesi on Csuri in Art E Dossier primar Italian Art Magazine. The Muse is an example of Csuri’s later work, combining heavy impasto painting with 3D rendering in a technique called “texture
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