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  • Media Art & Digital Humanities
    ...Grau, Oliver. Media Art & Digital Humanities Technology Imagination Future: Journal for Transdisciplinary Knowledge Design 4, no. 1 (2010): 1-22.
  • Leonardo
    ...Takita, Jun. Leonardo Journal of the international society for the arts, sciences and technology 37, no. 4 (2004).
  • Hylozoic Soil
    ...Beesley, Philip. Hylozoic Soil Leonardo: Journal of the International Society for the Arts, Sciences and Technology 42, no. 4 (2009).
  • Thecla Schiphorst
    ... Danza in Italy, Corps et Machines in Belgium, the LOKV Theatre Insitute in Amsterdam, the European Centre for Dance and Technology in Frankfurt Germany, Imagina in Monte Carlo, ISEA in Montreal and Sydney Australia, the NYU Interactive Performing Arts...
  • Software Archaeology and the Preservation of Code-based Digital Art
    ... of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.
  • Monstrous Agents: Cyberfeminist Media and Activism
    ...Barnett, Tully. Monstrous Agents: Cyberfeminist Media and Activism Ada: A Journal of Gender, New Media and Technology , no. 5 (July 2014).
  • Life at the Interface of Art and Technology
    ...Thiel, Tamiko. Life at the Interface of Art and Technology On Screen 18, no. 1 (Winter 2007): 32-34.
  • Bill Seaman
    ... Advanced Inquiry into the Interactive Arts a Master of Science in Visual Studies degree from the Massachusetts Institute of Technology (MIT), and a BFA at the San Francisco Art Institute. His works superimpose digital manipulated layers of images, video,...
  • Joel Slayton
    ... of C5, a research corporation specializing in theoretical models, analysis and tactical implementations of information technology. C5 is both a corporation and artwork. Slayton was an original member of the Visible Language Workshop at MIT; his media...
  • Augmented Reality Activism
    ...Skwarek, Mark. Augmented Reality Activism In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 3-30. Cham: Springer, 2014.
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