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  • ... of Code-based Digital Art In Proceedings of Archiving Conference 2013, edited by Society for Imaging Science and Technology, 25-30. Springfield, VA: 2013.
  • ... property expert through FASTLab. From 1996-2010 he was affiliated with the Center for Research in Electronic Art Technology (CREATE), in the Dept. of Music, and the Graduate Program in Media Arts and Technology (MAT) at UC Santa Barbara. Before...
  • ...Julius Popp (born 1973) is an artist based in Leipzig and New York. Popp was born in Nuremberg. His work often uses technology,[1] resulting in interdisciplinary ventures which reach across the boundaries of art and science.[2] An example of Popp’s work is Bitfall...
  • ... with traditional materials . She became a Senior Researcher at UoW in 1997, Chair Director of the Centre for Arts Research, Technology and Education (CARTE), Fellow of the Royal Society of Arts and a member of the editorial board for the peer-reviewed...
  • ...Barnett, Tully. Monstrous Agents: Cyberfeminist Media and Activism Ada: A Journal of Gender, New Media and Technology , no. 5 (July 2014).
  • ...Thiel, Tamiko. Life at the Interface of Art and Technology On Screen 18, no. 1 (Winter 2007): 32-34.
  • ...Skwarek, Mark. Augmented Reality Activism In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 3-30. Cham: Springer, 2014.
  • ... and City University of Hong Kong. Ritter completed his graduate education in visual studies at the Massachusetts Institute of Technology’s Center For Advanced Visual Studies, MIT Media Lab, and Harvard University’s Carpenter Center. His professors included...
  • ...Hessels, Scott. Relocating The Moving Image Filter Magazine: Australian Network for Art and Technology , no. 70 (2009): 3-6.
  • ...David Familian and Michael Connor. Constant World: Jennifer and Kevin McCoy. Irvine, CA: Beall Center for Art + Technology, 2009.