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Transarchitectures
1998
-
1998
Architectures réactives de la communication
Le virtuel c'est le réel avant qu'il ne passe à l'acte. Un non-espace non-matière.
Il prend forme en s'actualisant.
L'architecture du virtuel c'est à la fois l'architecture de l'information et...
Transarchitectures/ Liquid Architectures: iso4D
1991
Computer Animation
A liquid architecture is an architecture whose form is contingent on the interests of the beholder; it is an architecture that opens to welcome you and closes to defend you; it is an ar chitecture without doors and hallways,...
TRANSBIOTICS. Temporal stability points
2010
Event: TRANSBIOTICS. Temporal stability pointsInstitution: RIXC, The Center for New Media CultureComment:
transBOARD
1996
-
1997
The transBOARD is a Tangible Bits platform which explores the use of a digitally-enhanced whiteboard as a model of a wall in the future. The transBOARD supports distributed access to physical whiteboard activity. Distributed users can monitor...
Transcendence Index
2017
-
2017
The installation consists of the following 2 parts: – a software program which analyzes texts of two periods (1900-1917 and 2000-2017) in order to calculate the index of their transcendence; – a robotic device which cooks 2 borschts (borscht is a...
Transcending into the Virtual: Presence Prognostications and the Re-Calibration of Telematic Art
11
Pearlman,Ellen. Transcending into the Virtual: Presence Prognostications and the Re-Calibration of Telematic Art ISEA Istanbul (11).
Transcodex
2003
-
2003
Event: TranscodexInstitution: Petralata TheaterComment:
Transcodex
2003
-
2003
Event: TranscodexInstitution: Petralata theaterComment:
Transcodex
2003
-
2003
Event: TranscodexInstitution: Petralata TheaterComment:
Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign
2005
krcf. Transcoding Sovereignty: Naked Bandit/Here, Not Here/White Sovereign In Sarai Reader 2005: Bare Acts, edited by Monica Narula and Shuddhabrata Sengupta and Jeebesh Bagchi and Geert Lovink, 111-114. Delhi: Sarai Media Lab, 2005.
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