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  • Hahne, Marille, ed. Coded Characters. Media Art by Jill Scott. Ostfildern-Ruit: Hatje Cantz, 2003.
  • Blue Window Pane II -
    "Blue Window Pane is a CAVE virtual reality art experience that includes networking, live video, and sound activated graphics. Participants explore and actively ignite events to gain a knowledge base through exploration and perceptual interaction.
  • Brush the Sky -
    In "Brush the Sky," a mother-daughter duo bring the ancient art of calligraphy into the 21st century. In the Wing Luke Museum, transparent wall hangings by Midori Kono Thiel emphasized the abstract nature of calligraphic art by deconstructing the
  • Gilles Charalambos. Retrovisión Espectral-Aproximaciones a una historia del videoarte en Colombia. Bogotá, Colombia: IDARTES, 2018.
  • Jill Scott is an Artist and Professor for Art and Science in the Institute Cultural Studies in the Arts, at the Zurich University of the Arts. She holds a PhD form the University of Wales (UK), MA of USF, San Francisco, and a Degree in Education
  • Boulic, Ronan and Tolga K. Capin and Zhiyong Huang and Prem et. al. Kalra. The HUMANOID Environment for Interactive Animation of Multiple Deformable Human Characters In Proceeding Computer Graphics Forum ´95, edited by Computer Graphics
  • Artist and filmmaker William Kentridge has earned international acclaim for creating distinctive animated films that address the political and cultural climate of his native South Africa. In Tide Table (recently acquired by The Rose), the artist
  • Gilles Charalambos. Retrovisión Espectral-Aproximaciones a una historia del videoarte en Colombia. Bogotá, Colombia: IDARTES, 2018.
  • Event: RETROVISIÓN ESPECTRAL - a retrospective of video art in Colombia curated by Gilles CharalambosInstitution: Museo De AntioquiaComment:
  • Aunt Sally
    In 2012, Philippe Blanchard and Pierre Jolivet made another voyage to Middle East and found themselves in Beirut by the invitation of Sharif Sehnaoui, well known experimental guitarist, composer and contemporary artist who brought the art of noises