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  • The Co-Opticon: Shared Access to a Robotic Streaming Video Camera
    Goldberg, Ken and Dezhen Song. The Co-Opticon: Shared Access to a Robotic Streaming Video Camera In ACM MultiMedia Conference, Berkeley, November 2003, Berkeley, CA: 2003.
  • Making of Eve Clone I - video
    In the video Making of Eve Clone I, I looked back and represented the process of me creating Eve Clone and the evolution of her body in each period. From the original drafting of Eve Clone, which recorded my inspiration of drawings, to using
  • Alexandra Dementieva
    Lives and works in Brussels The idea of interaction between the viewer and an artwork, mediated by technologically progressive visualization methods, lies at the core of her work. In her installations she uses various art forms on an equal basis:
  • Vom Bild zur Konstruktion kontextgesteuerter Ereigniswelten
    Weibel, Peter. Vom Bild zur Konstruktion kontextgesteuerter Ereigniswelten Camera Austria 49 (1995): 33-44.
  • Die Welt der virtuellen Bilder
    Weibel, Peter. Die Welt der virtuellen Bilder Camera Austria 46 (1994): 42-51.
  • Head-Coupled Remote Stereoscopic Camera System for Telepresence Applications
    Bolas, M.T. and Scott S. Fisher. Head-Coupled Remote Stereoscopic Camera System for Telepresence Applications Stereoscopic Displays and Applications 1256 (1990): 113-123.
  • Diana Domingues
    Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • Feminism, Culture, and Media Studies: Race and/as Technology
    Kyong Chun, Wendy Hui and Lynne Joyrich, ed. Feminism, Culture, and Media Studies: Race and/as Technology. Vol.24. Camera Obscura, Durham, NC: Duke University Press, 2009.
  • Alexander Hahn
    Alexander Hahn (b. 1954, Rapperswil, Switzerland) has worked in the analog and digital media arts since 1977, integrating the time-based forms of video with practices of installation, computer imagery, print, animation, virtual reality and writing.
  • Sylvia Grace Borda: Camera Histories
    Travis, Rebecca. Sylvia Grace Borda: Camera Histories Photomonitor UK 2014 (January 2014): http://www.photomonitor.co.uk/2014/01/sylvia-grace-borda-camera-histories/.
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