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  • ELO 2022-E2Lit -
    The work combines various mediums and literary genres (the cookbook’s taxonomy and authoritative style, scientific papers, children’s rhymes…) to reshape its own and presents the reader with complex assemblages on entangled phenomena related to
  • leak to lower lazy levitating load, 2008 -
    Custom electronics, modified montreal-saskatoon miller solar engines, super capacitors, custom solar panels, sunlight, wire, cinder blocks, 55 gallon drum, shock cord, hardware, miniature pumps, plastic tubing and connectors, modified 18L water
  • An Explicit Volume -
    An Explicit Volume is an interactive installation comprising nine books arranged in a three by three grid. Each book is operated by an electronic page turner. The project is sited in a darkened space where four red vinyl chairs are arranged facing
  • The Body as Interface and Representation
    Fleischmann, Monika and Wolfgang Strauss. The Body as Interface and Representation In Tight Rope, Saar: 1995.
  • Paramatrix
    Schmidt, Henry and Benjamin Seide. Paramatrix Tight Rope (1995).
  • Medialab
    Strauss, Wolfgang. Medialab Tight Rope (1995).
  • Japan Media Arts Festival 2008
    February: 11th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 6–17, 2008 Venue: The National Art Center, Tokyo (Roppongi, Tokyo) Entries: 2,091 works (including 429 from overseas) Visitors: 44,524 people
  • Plasm: In the Breeze -
    Swinging out over a synthesized creek, viewers stir up the artificial life forms therein. Engaging kinesthetic immersion takes place within themed surroundings, where two rope swings track the participants' position using linear position
  • Rope
    A rope slowly curls around a chair, caressing it carefully. As the speed increases, the torsion builds up and the rope becomes a strangling snake approaching it's pray and eventually the chair is violently tossed around. Although a computer
  • Christina McPhee
    Christina McPhee’s images move within a matrix of abstraction, shadowing figures and contingent effects. Her work emulates potential forms of life, in various systems and territories, and in real and imagined ecologies. Her dynamic, performative,
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