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Dreyfus, Hubert L.. What Computers Still Can´t Do: A Critique of Artificial Reason. Cambridge, MASS: MIT Press, 1992.

Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.

Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.

Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.

Poulin, Marie-Claude and Martin Kusch. kondition pluriel- towards a fusion of performance and installation In Internationales Festival für computergestützte Kunst, edited by Trans-Media-Akademie Hellerau, 76-83. Dresden: Trans-Media-Akademie

Deussen, Oliver and Bernd Lintermann. Regelbasierte und prozedurale Datengenerierung in Computergraphik und Bioinformatik In GI Workshop Biomolekulare Informatik, Aachen: Gesellschaft für Informatik Fachgruppe Informatik in den Biowissenschaften,

Ascott, Roy. Die Ästhetik des Erscheinenden / Apparitional Aesthetics In Prix Ars Electronica 95, Internationales Kompendium der Computerkünste, edited by H. Leopoldseder, 15-22. : Österreichischer Rundfunk and Landesstudio Oberösterreich, 1995.

Goodman, Cynthia. Digital Visions: Computers and Art. New York: Harry N. Abrams, 1987.

Klyce, Brig. Can Computers Mimic Darwinian Evolution? .

Kac, Eduardo. Negotiating Meaning: The Dialogic Imagination in Electronic Art In Proceedings of Computers in Art and Design Education Conference, edited by UK University of TeessideTeeside, UK: 1999.