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  • The Year's Midnight, 2011 Computer, software, camera, high-resolution display, Seeing Machines face recognition 105.5 x 80 x 12 cm Ed. 3/6, 1 AP (RLH 89.3) White or black smoke bellows from the eyes of the viewer. Live and recorded eyeballs
  • Sorting Daemon -
    Like many of Rokeby's other works, "Sorting Daemon" surveys its environment and uses the resulting images as the primary content of the work. In this specific case, the system looks out onto the street, panning, tilting and zooming, looking for
  • Point to Point -
    "Point to Point" (Networked installation, website, computer, projector, and video cameras) is a public art work that uses the motion of people in public space to drive an evolving graphic display. The display is projected onto a wall in the space
  • Who the People?Artist: Lanfranco AcetiComment:
  • Red Art
    Aceti, Lanfranco and Julian Stallabrass. Red Art Leonardo 20, no. 1 (2014).
  • Lanfranco Aceti, Janis Jefferies and Irini Papadimitriou. Touch and Go / Leonardo Volume 18 Issue 3 / Edition LEA. Goldsmiths College: Goldsmiths College, 2012.
  • As far as the creases -
    Here, a human organ constitutes the landscape: a brain is covered in a fine film of aquatic algae. The alga deposits itself by taking its time and continues to grow at its own rhythm. I provide regular modest help: I change the water twice a
  • Artists Martin John Callanan, Corby & Baily and Jonathan Mackenzie, Eunju Han, Eduardo Kac, susan pui san lok, Ruth Maclennan and Uriel Orlow, and Thomson and Craighead What is Metadata? As the exhibition outlines, it is data about data,
  • Aceti, Lanfranco. When Aesthetic Is Not Just a Pretty Picture: Paolo Cirio's Social Actions Leonardo Electronic Almanac 20, no. 1 (January 2014): 232-249.
  • Aceti, Lanfranco. Instantaneously Mediated Virtual Visions: The Transmedia Circuit of Images, Body and Meanings Art Inquiry (2008): 20-21.