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Consumer Culture and the Technological Imperative: The Artist in Dataspace 1995

... in Electronic Media, edited by Simon PennyAlbany, NY: Suny Press, 1995.
The Emperor´s New Mind: Concerning Computers, Minds, and the Laws of Physics 1989

... and the Laws of Physics. Oxford, UK: Oxford University Press, 1989.
Art, Action and Participation 1975

...pper, Frank. Art, Action and Participation. New York: New York University Press, 1975.
Modeling Emergence of Complexity: the Application of Complex System and Origin of Life Theory to Interactive Art on the Internet 2000

... et. al. Packard, 547-554. Cambridge, Massachuchetts: MIT Press, 2000.
VERBARIUM and Life Spacies: Creating a Visual Language by Transcoding Text into Form on the Internet 1999

... Computer Society Washington, 90. Washington, DC, USA: IEEE Press, 1999.
Nature Morte: Landscape and Narrative in Virtual Environments 1996

... Moser and Douglas MacLeod, 195-232. Cambridge, London: MIT Press and Banff Centre for the Arts, 1996.
Hyperbodies, Hyperknowledge: Women in Games, Women in Cyberpunk, and Strategies of Resistance 2002

... Mary Flanagan and Austin Booth, 444-447. Boston, MA: The MIT Press, 2002.
Agnes Hegedüs, Bernd Lintermann, Jeffrey Shaw: Reconfiguring the CAVE 2004

... Karlsruhe, Cambridge: Center for Art and Media and MIT Press, 2004.
Cyber Reader: Critical Writings for the Digital Era 2002

... Critical Writings for the Digital Era. London, UK: Phaidon Press, 2002.
Embodied Cultural Agents: at the Intersection of Art, Robotics and Cognitive Science 1997

... AAAI Socially Intelligent Agents Symposium, , 103-105. : AAAI Press, 1997.

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