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Brian Massumi´s Technotes
1994
Massumi, Brian. Brian Massumi´s Technotes Artforum Bookforum supplement (November 1994): 28-29.
Technical Addendum. A Very Technical explanation of processto supplement more general description - Suspect Inversion Center
2013
Vanouse, Paul. Technical Addendum. A Very Technical explanation of process to supplement more general description - Suspect Inversion Center [].
Zur Geschichte und Ästhetik der digitalen Kunst
1984
Weibel, Peter. Zur Geschichte und Ästhetik der digitalen Kunst In Supplementband der Ars Electronica 1984, edited by Karl Gerbel, 1-40. Linz: 1984.
Investigating attitudes of professional writers to GPT text generation AIbased creative support tools
2022
Geoff Davis. Investigating attitudes of professional writers to GPT text generation AI based creative support tools Phd Thesis, UAL, London, July 2022.
I Always Like to Go Where I Am Not Supposed to Be
2003
Allen, Rebecca and Erkki Huhtamo. I Always Like to Go Where I Am Not Supposed to Be In Women, Art, and Technology, edited by Judy Malloy, 224-241. Cambridge, MA: Massachusetts Institute of Technology, 2003.
Interview: George Legrady
2016
Klinke, Harald and Lisa Surkemper. Interview: George Legrady https://dahj.org/article/in-conversation-with-george-legrady.
Dara and Surrealism
2009
Kinney, Tulsa. Dara and Surrealism https://artillerymag.com/data-surrealism/.
Virtual Borders and Surveillance in the Digital Age
2007
Burns, David R.. Virtual Borders and Surveillance in the Digital Age International Journal of Media and Cultural Politics 3, no. 3 (2007): 325-341.
Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre
2017
Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).
Art, Surveillance and Metadata
2016
Coupe, James. Art, Surveillance and Metadata In Worldmaking as Techné: Exploring Worlds of Participatory Art, Architecture, and Music, edited by M-D. HosaleRolling Meadows: 2016.
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