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DOMINGUES, DIANA MARIA G and Cristiano MIOSSO and F Rosa and Carla Aguiar and Tiago Lucena and M Miranda and Adson Rocha and Ramesh RASKAR. Embodiments, visualizations, and immersion with enactive affective systems The Engineering Reality of

Chabninski, Adam. Sztuka miedzy wysoka a niska technologia Chip Magazine (June 1995).

Kluszczynski, Ryszard. The Mechanical Imagination - Creativity of Machines. Workshop of The Film Form (1970–1977) In Warsztat Formy Filmowej/Workshop of the Film Form 1970–1977, Warszawa: Centrum sztuki wspólczesnej zamek ujazdowski, 2000.

Garavaglia, J. and C. Robles. WOODEN WORLDS - An Audiovisual Performance with Multimedia Interaction in Real-time Interactive Media Art Conference (IMAC) 2011 Proceedings, edited by Morten Søndergaard, Aalborg University Press, 2012 (2012): 54-59.

Poposki, Zoran. Critical theory for crypto art: Exploring the impact of non-fungible tokens on the commodification of art in the digital age (2025).

Poposki, Zoran. Critical theory for crypto art: Exploring the impact of non-fungible tokens on the commodification of art in the digital age (Apr 2025).

Hsin Hsin, Lin. Reduction to Pixels -- Using a Common Human Computer Interface to create 3D Artificial Realities Leonardo Electronic Almanac 6, no. 5 (June 1998).

Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.

Billinghurst, Mark. Collaborative Augmented Reality Communcations of the ACM - How the Virtual Inspires the Real 45 (July 2002): 64-70.

Wiener, Norbert. Cybernetics, or Control and Communciation in the Animal and the Machine. Cambridge, MA: The MIT Press, 1961.