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Der simulierte Benjamin: Mittelalterliche Bemerkungen zu seiner Aktualität
1992
Bredekamp, Horst. Der simulierte Benjamin: Mittelalterliche Bemerkungen zu seiner Aktualität In Frankfurter Schule und Kunstgeschichte, edited by Andreas Berndt and Peter Kaiser and Angela Rosenberg and Diana Trinkner, 117-140. Berlin: Reimer, ...
Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen Topos im Zeitalter der Bildsimulation
1992
Bredekamp, Horst. Der Mensch als "zweiter Gott". Motive der Wiederkehr eines kunsttheoretischen
Topos im Zeitalter der Bildsimulation In Interface I: Elektronische Medien und Künstlerische Kreativität, edited by Klaus Peter Dencker, Hamburg. :...
L´exposition comme oeuvre
1992
Courchesne, Luc. L´exposition comme oeuvre In Muséo-séduction, Muséo-réflexion, , 163-168. Quebec City, CAN: Musée de la civilisation and Service canadien des parcs, 1992.
La lumière et le visiteur
1992
Courchesne, Luc. La lumière et le visiteur In L´éclairage dans le institutions muséales, , 19-34. Quebec City: Museé de la civilisation and Sociéte des musées québécois, 1992.
The Last Medium: the Virtues of Virtual Reality
1992
D´Amato, Brian. The Last Medium: the Virtues of Virtual Reality Flash Art XXV 162 (Jan - Feb 1992): 96-98.
What Computers Still Can´t Do: A Critique of Artificial Reason
1992
Dreyfus, Hubert L.. What Computers Still Can´t Do: A Critique of Artificial Reason. Cambridge, MASS: MIT Press, 1992.
Beyond Simulation
1992
Fisher, Scott S.. Beyond Simulation Revue Virtuelle (1992).
Be There Here
1992
Fisher, Scott S. and B. Laurel. Be There Here InterCommunication 0 (Spring 1992).
Stereoscopic Displays and Applications III
1992
Fisher, Scott S. and John O. Merritt, ed. Stereoscopic Displays and Applications III. Proc. SPIE 1669, Cambridge: 1992.
Cultural Diversity in the Global Village: The Third International Symposium on Electronic Art
1992
Harley, Ross, ed. Cultural Diversity in the Global Village: The Third International
Symposium on Electronic Art. Sydney: TISEA, 1992.
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1313
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1471